|
|
| (One intermediate revision by the same user not shown) |
| Line 1: |
Line 1: |
| Draft on the Outline of my thesis
| | [[File:Draft_Outline_HM.pdf|thumbnail]]<br /> |
| | |
| | |
| | |
| Introduction::
| |
| | |
| 1. Background:<br />
| |
| | |
| I want to analyse, deconstruct and rebuild the structure of a collection of photographs and video about my burnt house/studio from November 2017.
| |
| | |
| 2. Thesis Statement<br />
| |
| | |
| A report on my practice and experiment between still images and the boundaries of moving images and reaching the illusion of 3D in printing. The specific texture, colour depth of a transition between materials after a chemical reaction like fire.<br />
| |
| | |
| | |
| Body:<br />
| |
| I. First topic:
| |
| Fire in art
| |
| Point A: The process of transformation between living materials/spaces and dead objects/locations after burning.
| |
| 1.Supporting evidence: In most of the cases of the action of fire changes the chemical structures of the objects.
| |
| 2.Supporting evidence: My living space after the fire became an impossible territory to live in it or work in it.<br />
| |
| | |
| | |
| II. Second topic:
| |
| Analysing my photos and the hidden details of it structure.
| |
| | |
| Point A: How the difference between printings and materials are communicating a possible different story about the content of the images.
| |
| 1.Supporting evidence: All the photos printed on matt paper, visible creating the texture of velvet.
| |
| 2.Supporting evidence: Layering different transparent printings on top of each other creates a similar look like 3D.<br />
| |
| | |
| | |
| III. Third topic:
| |
| | |
| Point A:
| |
| 1.Supporting evidence:
| |
| 2.Supporting evidence:
| |
| | |
| Conclutsion:
| |
| 1.Summarize the main points of your paper and restate your thesis in fresh words.
| |
| 2.Make a stong/memorable final statement
| |
Latest revision as of 15:46, 10 November 2018
