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==Workshop with Olli Aarni==
==Workshop with Olli Aarni==
day 1
cognitive language
kantele (finish traditional instruments)
5 strings
vibrations
organic loop
begena - ethiopia
endlessly improvise
deep listening
music and language - where is the line between
žalbasi
žiogas
žioguoja
skambaluoja
žiobaluoja
slapukauja
kalbasi
pasakoja
žasakoja
žiogsakoja
hear a sound
imagine
discribe
day 2
Frequency - wave length
Metrics (speed, tempo) bpm
units of sound/per time
mood
character
metrics can turn into pitch
Modulation
changing various parameters, moving, umbrella concept for changing any parameters over time
Velocity
Size
shrink and growing
force
Bass haptic, low.
Mid harmonic, human voice, present
Treble exhausting, sharp.
Stine Janvin
https://stinejanvin.bandcamp.com/album/fake-synthetic-music
timber
audio color
character
texture
density
overtones
the less overtones the rounder/softer it sounds
richness
saturation
pitch - height of the frequency
the degree of highness or lowness of a tone
measured with hertz
composition
arrangment
several sounds
tuning
establish typical intervals between these tones
western music - intervals
other running systems - different relations between notes, connected to natural sound phenomenon.
loop
repetition
rhythmic
synchronized and non synchronized
loop can turn anything into music
notes:
image of sound
visual sounds

Revision as of 15:28, 24 September 2019

LFP

Workshop with Olli Aarni

day 1

cognitive language kantele (finish traditional instruments) 5 strings vibrations organic loop begena - ethiopia endlessly improvise deep listening music and language - where is the line between

žalbasi žiogas žioguoja skambaluoja žiobaluoja slapukauja kalbasi pasakoja žasakoja žiogsakoja

hear a sound imagine discribe

day 2

Frequency - wave length

Metrics (speed, tempo) bpm units of sound/per time mood character metrics can turn into pitch

Modulation changing various parameters, moving, umbrella concept for changing any parameters over time

Velocity Size shrink and growing force

Bass haptic, low. Mid harmonic, human voice, present Treble exhausting, sharp. Stine Janvin https://stinejanvin.bandcamp.com/album/fake-synthetic-music

timber audio color character texture density

overtones the less overtones the rounder/softer it sounds richness saturation

pitch - height of the frequency the degree of highness or lowness of a tone measured with hertz

composition arrangment several sounds

tuning establish typical intervals between these tones western music - intervals other running systems - different relations between notes, connected to natural sound phenomenon.

loop repetition rhythmic synchronized and non synchronized loop can turn anything into music

notes: image of sound visual sounds