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(Created page with "Cihad record myself doing what I am doing Think about documentation Different methods Different versions Write next to your drawings Screen record Play with the material Form and content, do they match? Introduce a third voice Hybrids Midjourney Drawing machines Imperfections References archeology of things, Foucault reproduction, Walter benjiman SABINE Can you talk about a specific geographic location Can you be more specific Zoom in and zoom out Children...")
 
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Cihad
=== Cihad ===


record myself doing what I am doing
==== record myself doing what I am doing Think about documentation Different methods Different versions Write next to your drawings Screen record Play with the material Form and content, do they match? Introduce a third voice Hybrids Midjourney Drawing machines Imperfections ====
Think about documentation  
Different methods
Different versions
Write next to your drawings
Screen record
Play with the material  
Form and content, do they match?
Introduce a third voice
Hybrids  
Midjourney  
Drawing machines
Imperfections  


==== References archeology of things, Foucault reproduction, Walter benjiman ====


===  Sabine ===


References
=== Can you talk about a specific geographic location  Can you be more specific  Zoom in and zoom out Children playing games Land it somewhere  What is the relationship Improv Role of emotions and experiences? Dramaturgical  Bring doubt in on the creator/narrator? Sharing a process of comprehending  How can you perform the concern? Bring in paradoxes  How can the narrator be not always authoritative Why is it looping? Switch person ===
archeology of things, Foucault
reproduction, Walter benjiman


 
==== References Rachel cusk Deborah levy Quin la tima, like a woman Why women can’t write Literary architecture James kinett Fred Morten Social poetics Jameson Hewitt Marina molina person ====
SABINE
 
Can you talk about a specific geographic location
Can you be more specific
Zoom in and zoom out
Children playing games
Land it somewhere
What is the relationship
Improv
Role of emotions and experiences?
Dramaturgical
Bring doubt in on the creator/narrator?
Sharing a process of comprehending
How can you perform the concern?
Bring in paradoxes
How can the narrator be not always authoritative
Why is it looping?
Switch person
 
References
Rachel cusk
Deborah levy
Quin la tima, like a woman  
Why women can’t write
Literary architecture
James kinett
Fred Morten
Social poetics
Jameson Hewitt
Marina molina person

Revision as of 15:06, 14 May 2023

Cihad

record myself doing what I am doing Think about documentation Different methods Different versions Write next to your drawings Screen record Play with the material Form and content, do they match? Introduce a third voice Hybrids Midjourney Drawing machines Imperfections

References archeology of things, Foucault reproduction, Walter benjiman

Sabine

Can you talk about a specific geographic location Can you be more specific Zoom in and zoom out Children playing games Land it somewhere What is the relationship Improv Role of emotions and experiences? Dramaturgical Bring doubt in on the creator/narrator? Sharing a process of comprehending How can you perform the concern? Bring in paradoxes How can the narrator be not always authoritative Why is it looping? Switch person

References Rachel cusk Deborah levy Quin la tima, like a woman Why women can’t write Literary architecture James kinett Fred Morten Social poetics Jameson Hewitt Marina molina person