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With regard to my work I like to state that an image is more than just an image but it shapes our understanding of the world. Especially images of naked bodies reflect and influence the way we think about sexuality and gender which are topics that I deal with in my work. I’ve always placed importance on the viewer and his/her viewing position. I think the viewer is the active part of giving meaning to an image and I see subversive potential in this concept. The idea of perception as an active performance is a central theme in the book Visual Thinking by Rudolf Arnheim which I find very interesting because he approaches it from an angle of art psychology. With this text I would like to make a connection between his point of view and central ideas of the Queer Theory. I also would like to reflect on my work in connection to that.
With regard to my work I like to state that an image is more than just an image but it shapes our understanding of the world. Especially images of naked bodies reflect and influence the way we think about sexuality and gender which are topics that I deal with in my work. I’ve always placed importance on the viewer and his/her viewing position. I think the viewer is the active part of giving meaning to an image and I see subversive potential in this concept. The idea of perception as an active performance is a central theme in the book ''Visual Thinking'' by Rudolf Arnheim which I find very interesting because he approaches it from an angle of art psychology. With this text I would like to make a connection between his point of view and central ideas of the ''Queer Theory.'' I also would like to reflect on my work in connection to that.


Rudolf Arnheim was a German born art theorist and perceptional psychologist. Gestalt psychology? who used science to understand art??
Rudolf Arnheim was a German born art theorist and perceptional psychologist. Gestalt psychology? who used science to understand art??


His book Visual Thinking (1969) deals with the sense of sight. In his eyes the great virtue of vision is that it is not only a highly articulate medium, but that its universe offers inexhaustibly rich information about the objects and events of the outer world. Therefore he consideres vision as the primary medium of thought. And furthermore the facilities of the sense of vision are not only available to the mind but are indispensable for its functioning. (Visual Thinking)
His book ''Visual Thinking'' (1969) deals with the sense of sight and is grounded on earlier works such as "Art and visual perception" and "Toward a psychology of art" which deals with the psychology of perception. In his eyes the great virtue of vision is that it is not only a highly articulate medium, but that its universe offers inexhaustibly rich information about the objects and events of the outer world. Therefore he considers vision as the primary medium of thought. Furthermore he states that the facilities of the sense of vision are not only available to the mind but are indispensable for its functioning. (Visual Thinking)


In the preface of his book Visual Thinking (1969) Rudolf Arnheim describes visual perception as a cognitive activity. He states that artistic activity is a form of reasoning and that perceiving and thinking are indivisibly intertwined. You could say that artists think with their senses. He quotes a review that points out that the way our senses understand the environment is the same as the operations of thinking. Rudolf Arnheim claims that productive thinking takes place in the realm of imagery. According to him the problem is that a split has taken place between senses and thoughts. This book is specialized on the sense of sight and is grounded on earlier works such as "Art and visual perception" and "Toward a psychology of art" which deals with the psychology of perception.
In the preface of ''Visual Thinking'' (1969) Rudolf Arnheim describes visual perception as a cognitive activity. He states that artistic activity is a form of reasoning and that perceiving and thinking are indivisibly intertwined. You could say that artists think with their senses. He quotes a review that points out that the way our senses understand the environment is the same as the operations of thinking. Rudolf Arnheim claims that real productive thinking takes place in the realm of imagery. According to him a problematic split has taken place between the senses and thoughts a long time ago.





Revision as of 17:03, 16 November 2016

VISUAL THINKING AND QUEER THEORY


With regard to my work I like to state that an image is more than just an image but it shapes our understanding of the world. Especially images of naked bodies reflect and influence the way we think about sexuality and gender which are topics that I deal with in my work. I’ve always placed importance on the viewer and his/her viewing position. I think the viewer is the active part of giving meaning to an image and I see subversive potential in this concept. The idea of perception as an active performance is a central theme in the book Visual Thinking by Rudolf Arnheim which I find very interesting because he approaches it from an angle of art psychology. With this text I would like to make a connection between his point of view and central ideas of the Queer Theory. I also would like to reflect on my work in connection to that.

Rudolf Arnheim was a German born art theorist and perceptional psychologist. Gestalt psychology? who used science to understand art??

His book Visual Thinking (1969) deals with the sense of sight and is grounded on earlier works such as "Art and visual perception" and "Toward a psychology of art" which deals with the psychology of perception. In his eyes the great virtue of vision is that it is not only a highly articulate medium, but that its universe offers inexhaustibly rich information about the objects and events of the outer world. Therefore he considers vision as the primary medium of thought. Furthermore he states that the facilities of the sense of vision are not only available to the mind but are indispensable for its functioning. (Visual Thinking)

In the preface of Visual Thinking (1969) Rudolf Arnheim describes visual perception as a cognitive activity. He states that artistic activity is a form of reasoning and that perceiving and thinking are indivisibly intertwined. You could say that artists think with their senses. He quotes a review that points out that the way our senses understand the environment is the same as the operations of thinking. Rudolf Arnheim claims that real productive thinking takes place in the realm of imagery. According to him a problematic split has taken place between the senses and thoughts a long time ago.


Chapter one - Early Stirrings

In chapter one Rudolf Arnheim states the in order to cope with the world the mind has to fulfill two functions: gather information and process it. Whereas he thinks that the collaboration of thinking and perceiving is essential for cognition he says that popular philosophy insists on a division. Gathering data is recognized as the higher cognitive function whereas perceiving as the inferior one. Our whole educational system is based on that idea. Young kids learn by seeing and shaping before they enter the school. School education discriminates perception. "The arts are neglected because they are based on perception and perception is disdained because it's not assumed to involve thought." Art is the most powerful means to strengthen perception which is essential for productive thinking and reasoning power.

Describing where RA comes from and how he argues

Describing basic ideas of queer theory

Making the connection between the two

Applying it to my work