Editing and Narrative - Michael's tutorial: Difference between revisions
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<small>Further references: http://commons.wikimedia.org/wiki/File:Female_nude_motion_study_by_Eadweard_Muybridge_(2).jpg </small> | |||
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Brightness: the luminance of a body that an observer uses to determine the comparative luminance of another body. (from www.thefreedictionary.com/brightness) | Brightness: the luminance of a body that an observer uses to determine the comparative luminance of another body. (from www.thefreedictionary.com/brightness) | ||
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The re-arrangement of the image sequence, consequently creates a new movement sequence | The re-arrangement of the image sequence, by brightness, consequently creates '''a new movement sequence:''' | ||
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<small> further references: http://sarma.be/oralsite/pages/William_Forsythe_on_Scores/ </small> | |||
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My experience continued by re-thinking the video screen as a stage, a frame for the performance to happen. | |||
This time, the performance settings focused on the positive and negative spaces created by the moving body in contrast with the backgrounds: | |||
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File:Sorted0001.jpg|start | |||
File:Sorted0307.jpg|307 | |||
File:Sorted0318.jpg|318 | |||
File:Sorted0990.jpg|990 | |||
File:Sorted1100.jpg|1100 | |||
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Revision as of 15:37, 24 March 2015
An exercising python, pil and ffmpeg to sort images by brightness ((make grayscale, convert to 1x1px image, value the grayscaleness of this pixel)). In this way, by altering the rhythm and even the connotation of the original movie - a new composition of body movement is created.
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Further references: http://commons.wikimedia.org/wiki/File:Female_nude_motion_study_by_Eadweard_Muybridge_(2).jpg
Brightness: the luminance of a body that an observer uses to determine the comparative luminance of another body. (from www.thefreedictionary.com/brightness)
Brightness as the structural element of the new composition. Brightness as the common unit, linking the physical and digital performance. Transporting the visual effects of the illumination on the object and the object within a scene, towards the screen color values.
The original video:
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The re-arrangement of the image sequence, by brightness, consequently creates a new movement sequence:
27
36
103
195
588
720
905
1178
1179
1217
In choreography's tradition, the traces of a performance, have fed the imagination, and given rise to new versions of future performances.
"Choreography's manifold incarnations are a perfect ecology of idea-logics; they do not insist on a single path to form-of-thought and persist in the hope of being without enduring." by William Forsythe
further references: http://sarma.be/oralsite/pages/William_Forsythe_on_Scores/
My experience continued by re-thinking the video screen as a stage, a frame for the performance to happen. This time, the performance settings focused on the positive and negative spaces created by the moving body in contrast with the backgrounds:
start
307
318
990
1100
end
.jpg){kind=link}