Collecting something similar through time in the formative realm: Difference between revisions
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* [https://www.museoreinasofia.es/en/collection/artwork/arthur-rimbaud-new-york-28 David Wojnarowicz: Rimbaud In New York series] | * [https://www.museoreinasofia.es/en/collection/artwork/arthur-rimbaud-new-york-28 David Wojnarowicz: Rimbaud In New York series] | ||
* [http://everyoceanhughes.com/work/untitled-david-wojnarowicz-project Every Ocean Huges] | * [http://everyoceanhughes.com/work/untitled-david-wojnarowicz-project Every Ocean Huges] | ||
* https://www.youtube.com/watch?v=jRm00StGUmk | |||
Revision as of 17:27, 13 October 2022
For the thematic seminar COMPLICATING THE SUBJECT by Res. Portrait about Sam Koopman.
Starting point:
What happens when a story you hear, resonates with something of your own life and your point of focus becomes the similarity? You start to to collect the history of somebody else and the things they pick up on their journey. But at some point you add elements of your own life to actually tell something of yourself. As artists we are telling our point of view through somebody else, but what happens when the lines between subject and our own experiences mix and get blurry? What are the ethics when you tell your story through the familiar aspects of the life of your subject?