Claudio's Thesis - QUICKNOTES: Difference between revisions
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16mm (limitations in shooting and editing) | 16mm (limitations in shooting and editing) | ||
when digital editing - keep it simple - 4 tracks + effects | when digital editing - keep it simple - 4 tracks + effects - aka not make things that would not be possible to make in analog editing | ||
sound? - no input mixer feedback loops | sound? - no input mixer feedback loops | ||
Revision as of 16:22, 23 November 2023
slowed down Louvre statues (excerpt) https://youtu.be/FfkTtrCsTFQ
(an LCD screen filmed very very close)
(De Rotterdam's façade filmed form the Erasmus bridge)
sketch 1 https://youtu.be/ac1rEIsvwpA
sketch 2 https://youtu.be/IVagyN1DFVs
(Agnes Martin, Wood I, 1963 Watercolor and graphite on paper, 15 x 15 1/2 inches (38.1 x 39.4 cm))
(Agnes Martin, Aspiration, 1960 Ink on paper, 11 3/4 x 9 3/8 inches (29.8 x 23.8 cm) )
a refusal to make a fetish of the final “work” - to operate almost exclusively on the level of the sketch. - what is the value of this stance as an artist?
thinking about self imposed limitations to my practice
black and white only
16mm (limitations in shooting and editing)
when digital editing - keep it simple - 4 tracks + effects - aka not make things that would not be possible to make in analog editing
sound? - no input mixer feedback loops