Calendars:Networked Media Calendar/Networked Media Calendar/26-11-2018 -Event 3: Difference between revisions

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LB1: "Image, Space and Visibility" with Javi  
LB1: "Breaking the Timeline - Chance & Randomness in Soft & Live Cinema" with Javi  


13:00 - 16:00, large project space.
13:00 - 16:00, large project space.
<p>The dissemination of 360 cameras and VR technologies have brought new possibilities and  challenges regarding image framing. This class will introduce alternative approaches to these 360 immersive technologies–techniques that don’t use the conventions of framing or that make use of multiple film/video channels. These alternatives include Expanded Cinema, telematic and multi-channel video installations and Vertical Cinema, among others.</p>
<p>Practices such as Soft and Live Cinema explored non-linear approaches to storytelling. These practices aimed to offer alternatives to the conventions of cinema. We will trace connections between these non-linear procedures and artistic practices that make use of chance, from Dadaism to chance-operations inspired by the “I Ching”.</p>


Related readings:<br/>
Related readings:<br/>
*Andrew V. Uroskie, “Between the Black Box and the White Cube: Expanded Cinema and Postwar Art” (2014).
*Doug Aitken, “Broken Screen: Expanding the Image, Breaking the Narrative: 26 Conversations with Doug Aitken” (2006).
*Peter Weibel, “Expanded Cinema, Video and Virtual Environments.” in “Future Cinema: The Cinematic Imaginary After Film” (2003).
*George Brecht, “Chance Imagery” in ”Documents of Contemporary Art: Chance.” (2012).
*Lucrecia Cippitelli, “The Location of the Cinematic Experience.” in “The cinematic experience: sonic acts XII” (2008).
*Allan Kaprow, “Assemblage, Environments and Happenings.” in ”Documents of Contemporary Art: Chance.” (2012).
*Rob Vanderbeeken, “The Immersive Experience: Aspects and Challenges.” in “The cinematic experience: sonic acts XII.” (2008).

Revision as of 22:58, 21 November 2018

LB1: "Breaking the Timeline - Chance & Randomness in Soft & Live Cinema" with Javi

13:00 - 16:00, large project space.

Practices such as Soft and Live Cinema explored non-linear approaches to storytelling. These practices aimed to offer alternatives to the conventions of cinema. We will trace connections between these non-linear procedures and artistic practices that make use of chance, from Dadaism to chance-operations inspired by the “I Ching”.

Related readings:

  • Doug Aitken, “Broken Screen: Expanding the Image, Breaking the Narrative: 26 Conversations with Doug Aitken” (2006).
  • George Brecht, “Chance Imagery” in ”Documents of Contemporary Art: Chance.” (2012).
  • Allan Kaprow, “Assemblage, Environments and Happenings.” in ”Documents of Contemporary Art: Chance.” (2012).
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