Calendars:Networked Media Calendar/Networked Media Calendar/01-10-2018 -Event 4: Difference between revisions
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LB1: Image Appropriation (I) with Javi | LB1: ''Image Appropriation (I)'' with Javi <br/> | ||
13:00 - 16:00, small project space <br/> | |||
<p>We will discuss how the appropriation of images, whether their sources come from image or film archives, existing films, or the Internet– has become one of the most extended methodologies among artists working with still and moving image. </p> | <p>We will discuss how the appropriation of images, whether their sources come from image or film archives, existing films, or the Internet– has become one of the most extended methodologies among artists working with still and moving image. </p> | ||
Related readings: | |||
*Raymond Bellour, “Saving the Image” in “Saving the Image. Art after Film” (1999). | *Raymond Bellour, “Saving the Image” in “Saving the Image. Art after Film” (1999). | ||
*Robert Shore, “Post-Photography. The Artist with a Camera.” (2014). | *Robert Shore, “Post-Photography. The Artist with a Camera.” (2014). | ||
*David Gordon, “Cut. Film as Found Object in Contemporary Video.” (2004). | *David Gordon, “Cut. Film as Found Object in Contemporary Video.” (2004). | ||
*Jan Debbaut, “Cinema Cinema, Contemporary Art and the Cinematic Experience.” (1999). | *Jan Debbaut, “Cinema Cinema, Contemporary Art and the Cinematic Experience.” (1999). | ||
Revision as of 09:43, 17 September 2018
LB1: Image Appropriation (I) with Javi
13:00 - 16:00, small project space
We will discuss how the appropriation of images, whether their sources come from image or film archives, existing films, or the Internet– has become one of the most extended methodologies among artists working with still and moving image.
Related readings:
- Raymond Bellour, “Saving the Image” in “Saving the Image. Art after Film” (1999).
- Robert Shore, “Post-Photography. The Artist with a Camera.” (2014).
- David Gordon, “Cut. Film as Found Object in Contemporary Video.” (2004).
- Jan Debbaut, “Cinema Cinema, Contemporary Art and the Cinematic Experience.” (1999).