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'''#bio'''  
'''#bio'''
(35words)


Michaela Lakova (BG) is an interdisciplinary artist. Currently she is enrolled at Piet Zwart Institute, Rotterdam, MA in Media Design and Communication. She holds a BA(NATFA) in Stage and Screen design. Her field of research and practice involves catchy bits and bytes of errors, malfunctions systems or the inevitable generation of data traces and its problematic resistance to deletion.
Michaela Lakova (BG) is an interdisciplinary artist. Her field of research and practice involves catchy bits and bytes of errors, malfunctions systems or the inevitable generation of data traces and its problematic resistance to deletion.


'''#abstract'''<br>
'''#abstract'''<br>
( draft_70w )<br>
(62words)<br>
[name] asks the question, is it possible to delete? Given that the devices that store and reproduce data are no longer in our hands. depicts  from computation systems, to legal mechanism, ethics and psychological or philosophical ramifications the very notion of delete is cited as an important function, which has never been applied.
[DEL? No, wait! REW] asks the question, is it possible to delete?<br>
[name] is an automated system, where the per-formative act of manually browsing, selecting and erasing someone’s data is passed over to the audience. <br>What role we are taking? Are we invaders, interpreters or mediators? COPY/TRANSMIT?/ TRANS-PASS or DELETE/REMOVE/ ERASE
Through a system that relies on feedback, interface and screens, the performative act of browsing, selecting and erasing someone’s data is passed over to the audience.
[DEL? No, wait! REW] is an installation that aims to confront the visitor with the following dilemma: weather to COPY/TRANSMIT/SHARE or to DELETE/REMOVE/ERASE retrieved files?

Revision as of 11:31, 6 May 2014

#bio (35words)

Michaela Lakova (BG) is an interdisciplinary artist. Her field of research and practice involves catchy bits and bytes of errors, malfunctions systems or the inevitable generation of data traces and its problematic resistance to deletion.

#abstract
(62words)
[DEL? No, wait! REW] asks the question, is it possible to delete?
Through a system that relies on feedback, interface and screens, the performative act of browsing, selecting and erasing someone’s data is passed over to the audience. [DEL? No, wait! REW] is an installation that aims to confront the visitor with the following dilemma: weather to COPY/TRANSMIT/SHARE or to DELETE/REMOVE/ERASE retrieved files?