Abstract & bio: Difference between revisions

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'''#bio'''  
'''#bio'''
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(56words) <br>
Michaela Lakova (BG) is an interdisciplinary artist. Trained as a stage and costume designer, she tries to bridge her practice with a lost and found approach to media. Her field of research and practice involves catchy bits and bytes of errors, systems malfunction and the inevitable generation of data traces and its problematic resistance to deletion.


Michaela Lakova (BG) is an interdisciplinary artist. Currently she is enrolled at Piet Zwart Institute, Rotterdam, MA in Media Design and Communication. She holds a BA(NATFA) in Stage and Screen design. Her field of research and practice involves catchy bits and bytes of errors, malfunctions systems or the inevitable generation of data traces and its problematic resistance to deletion.
'''#abstract'''<br>
(59words)


'''#abstract'''<br>
'''[DEL? No, wait! REW]''' asks the question, is it possible to delete?<br>
( draft_70w )<br>
Through a system that relies on feedback, interface and screens, the performative act of browsing, selecting and erasing someone’s data is passed over to the audience.
[name] depicts  from computation systems, to legal mechanism, ethics and psychological or philosophical ramifications the very notion of delete is cited as an important function, which has never been applied.
'''[DEL? No, wait! REW]''' aims to confront the visitor with the following dilemma: whether to COPY/TRANSMIT/SHARE or to DELETE/REMOVE/ERASE retrieved files.
[name] is an automated system, where the per-formative act of manually browsing, selecting and erasing someone’s data is surpassed to the audience. <br>What role we are taking? Are we invaders, interpreters or mediators? COPY/TRANSMIT?/ TRANS-PASS or DELETE/REMOVE/ ERASE

Latest revision as of 12:10, 6 May 2014

#bio
(56words)
Michaela Lakova (BG) is an interdisciplinary artist. Trained as a stage and costume designer, she tries to bridge her practice with a lost and found approach to media. Her field of research and practice involves catchy bits and bytes of errors, systems malfunction and the inevitable generation of data traces and its problematic resistance to deletion.

#abstract
(59words)

[DEL? No, wait! REW] asks the question, is it possible to delete?
Through a system that relies on feedback, interface and screens, the performative act of browsing, selecting and erasing someone’s data is passed over to the audience. [DEL? No, wait! REW] aims to confront the visitor with the following dilemma: whether to COPY/TRANSMIT/SHARE or to DELETE/REMOVE/ERASE retrieved files.