User:10000BL/Tutorial notes teachers
De film over nummer 39 speelt zich af op meerdere niveaus. Niveau 1 gaat over de originele aanleiding tussen Gordon en de Chinese deelnemer. Niveau 2 gaat over mijn vader en zijn geschiedenis als kok. Niveau 3 gaat over mij, de relatie die ik heb met Nr.39 en mijn vader.
Steve
Tut 1
Michael "Mike" Nelson (born 20 August 1967) is a contemporary British installation artist. He represented Britain at the Venice Biennale in 2011. Nelson's installations always only exist for the time period of the exhibition which they were made for. They are extended labyrinths, which the viewer is free to find their own way through, and in which the locations of the exit and entrance are often difficult to determine. His "The Deliverance and the Patience" in a former brewery on the Giudecca was in the 2001 Venice Biennale.[2] In September 2007, his exhibition A Psychic Vacuum was held in the old Essex Street Market, New York.[3] Essays on Nelson's projects, '24A Orwell Street King's Cross Sydney'[4] and 'The Deliverance and the Patience'[5] have been written by artist/curator Richard Grayson.
His major installation The Coral Reef (2000), was on display at Tate Britain until the end of 2011. It consists of fifteen rooms and a warren of corridors. This work and its showing at Matt's Gallery earned him his 2001 Turner Prize nomination.
Tut 2
- Peter Greenway - Delicatesse (movie) - description
- Ratatouille
- Babette's fest
- Chocolat
- Dinner as a machine - speed up 'movies'---> the pace of the film is fast. In silent movies.
- Thesis:
- Immigrants
- Food & Movies
- Descriptions of work
Tut 3
- Tips van Ruben?
- Oldenburg, veelzijdig
- Segal
- Dwain Hansen
- Wesselmann - relief werk
- Marcel Duchamp
- Man Ray
Femke
- Your work as a constellation. Everything is related and connected.
- I'm a tree
- Video vs sculpture
- Triangle: father vs me vs sculpture.
- Produceren vs reproduceren
- Echt vs nep
- Niet thuis horen in restaurant is belangrijk ---> zit deels in keramiek werk
- cultuur-clash
David
- Political vs auto-bio
- How to turn it back to Gordon? Specifically?
- Fetism ---> Hands/food
- Transfer & Symbolism
- Stay in realm of Gordon or? (think of constallation, every dot is connected, but what is the central dot called? ---> Gordon or something else?
- Separation of the works vs 1 project
- Political statement by cooking and transfer food = ideals
- In my opinion the work is hopefully going to cover a range of the spectrum Nr. 39 with on the one end personal/video & work with family and on the other non-personal/Gordon. The videoworks are more close to personal angle, same as the sculptures that can be seen as a hommage to my father/parents. The photo series of Nr. 39 for example are more towards the event with Gordon.
- Cultural exchange can be a topic on itself. (transfer video). That methaphor/manner. if I free myself from Gordon, can give me more freedom.
- Freedom or not? What do I have to address when Gordon is part of the project? And what when I am more free?