SPECIAL ISSUE 25 | protocols for collective performance

starting this master programm was a tat bit overwhelming, but simultaneously super exciting! i love the vibe of the group. i feel like we're all little nerds and we have this big common interest. thats nice. i enjoy it very much.
making radio is also very exciting and cool and also stressful haha. here my perfectionism plays a little role, because i want the show to be perfect. and of course this is not happening. what even is a perfect thing? well anyways... i like the introduction of michael and lukas, that the radio shows are tryouts and the interesting part is, the moment errors happen and we have to react to them. i like the letting go of the idea of a perfect radio show. also there's like 3 people listening so nothing is that serious. i hope i get to use my dj skills for the shows.

my first radio show: SI25 Broadcast 4: Protocols to Freestyle

"WE'RE LIVE BABY!" that was very exiting and cooool. unfortunately my sonic pi crashed right before the show. frustrating! but anyways we still managed to make a smooth show. we only had one single meeting before the show, cause we wanted to keep it spontaneous and fun. We read Femke Sneltings "Generous Practises" out loud in roles.

my second radio show: SI25 Broadcast 6: Protocol to Free Britney

its britney bitchhhhh! that show was soooooo much fun. after a few technical struggles it was so so so so nice!
Copyright’s primary goal is to encourage creativity by giving creators a period during which they can control and profit from their works. It provides an incentive for authors, artists, and other creators to invest time and resources into producing original works.

reflections on radio-making

What is the materiality of the difference in what we send through the radio and what the listener hears?
Language is understood only in contextual frameworks. And even these can be shared by people only to a limited extend.
The importance of context to language understanding.
Understanding also means classifying it in the already experienced.
understanding: to grasp the reasonableness of []

after reading All Problems of Notation will be solved by the masses by Simon Yuill

how is notation a language we can read, write and unterstand? how does storytelling works in and through music and sound? what sounds makes a square as opposed to a triangle or circle?

after reading The Tyranny of Structurelessness by jo freeman

how can we as a class work together smoothly? how can we make everyone feel more included and seen? how can we make it more safe and easy to disagree and say no?

after reading The truth of fact, the truth of feeling by ted chiang

whoooaaaa this text is crazy. it was veeeery interesting. it questions whether a fact or a feeling is more true. it does it through telling 2 stories, 1 where the fact is more "right" or "true" and the other where the feeling is more valued. so there is not one of them that is more right than the other. it always depends on the story and situation.
"Pinpointing blame wasn't the answer"
do we have to forget to forgive?
"Writing let you look at your thoughts in a way you couldn't if you were just talking" how does perfect memorie change the concept of self?
"People are made of stories"
Being full of fact but devoid of feeling – Human/Robot – Are feelings what makes us human?

"If everybody remembered everything, would our differences get shaved away? What would happen to our sense of selves"

after seeing Nature Study Notes: Scratch Orchestra

i had the idea of making a little zine with an alternative form of notation. I started researching and found: (insert pictures) and then i made: (insert pictures)

SPECIAL ISSUE 26

When code (CSS) is a way of designing with language to what extend is it poetry?
web extensions
wool webside
timeline – event

"Words are events, they do things, change things. They transform both speaker and hearer; they feed energy back and forth and amplify it. They feed understanding or emotion back and forth and amplify it." — Ursula K. Le Guin, The Wave in the Mind: Talks and Essays on the Writer, the Reader and the Imagination

at the same time/during/parallel to

define definition
website click and draw
own little zine from screenshots?

User:Queenfeline/What has been done so far

Contents