User:Kim/reading/Basta Now

Women, Trans and Non-Binary in Experimental Music
Fanny Chiarello

From the chapter 3. Rec

A list of names mentioned:

Beatriz Ferreyra

Kate Carr

Hybrid Soundscapes: Recording Ecotones + Edge Effects

disrupt notion of authenticity (fictions of sound effects)

"A soundscape reveals a lot about a place ... its openness and fragility the soundscape can reveal something about the process of community making ... its sensitivity to change offers both, opportunities and risks"

Vanessa Rosetto

"she strives to reveal the network of narrative threads that underlie everyday life"

"sourced by existing in the world"

Jana Winderen

Hildegard Westerkamp

Helena Gough

Felicia Atkinson

"My studio is Nomadic and swallows the landscape it crosses."

"I use machines in an empirical way."

Berangere Maximin

Izabela Dłużyk

Ecka Mordecai

Karen Vogt

Karen Gwyer

Martyna Basta

Ellen Band

"We are suddenly reminded of the physical and vibratory reality of objects, so well known that we never take their pulse."

Gaël Segalen

SoS Gunver Ryberg

Andy Guthrie

Dali de Saint Paul

Nour Mobarak

Nyokabi Kariuki

(Why) Labels:

Can adopting label mean a guarantee within elitist music landscape?

does label allow women composers to escape suspicion for amateurism and illegitimacy?

diversity of forms invented by these women composers is measured in dogma ("as if creation had something to do with a nomenclature decided by a handful of white men in suits")

7 Types of Field Recording (fr):

1. Additive Free fr
2. Instrument fr (recorded fragment of reality becomes layer among others)
3. Material fr (sound is modified, music arises from layering with others)
4. Trigger fr (recording does not only precede but direct work)
5. Undetectable fr
6. All-fr pieces
7. fr as Innermost Archive

What is a field recording?

"recording in live conditions" opposed to editing?

studio vs real world - impossible to identify

maybe the intention of recording sth is defining whether it is a field recording too