H e l l o and well come to the.......................................................................

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                 == Assesmental Presentental Wikipageroo aka Lorenzo Quint's ==

airhorn sounds == BEST OF XPUB1 TRIMESTER 1 & 2 = Protocolastic Quiltessential Boogaloo == that windows celebrational noise.mp3

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This is the page you will be watching whilst experiencing the process I went through. It will be a bit on the linear chronological side. As an old wise cliché once said whilst gazing to the inevitable sunburn:

You need to look backwards in order to look forwards

so before we ask ourselves: How did we get here? / Transport / /DOOR/PORT.html

I'm first going to talk about the first trimester.

I have to admit, I kinda didn't knew what XPUB was gonna be like. I recently graduated from KABK / IMD. A different institution and a different course. I knew that another IMD alumni parttook in XPUB.
So this first trimester was a bit of a fresh new start for my practice. 'kind of' stepping away from what shaped my graduation project Happytalism which revolves around the idea of wellness / new age and spirituality industries to be open for business, making more money than big pharma and being a safe haven for charlatans, disinformation weaponizing pseudo health claims.
I stepped into this fresh new environment with new people and overall a to me new programme.
And right after the first weeks of XPUB my life turned around and I needed to reconfigure everything for myself (as I am still kind of doing ofcourse)
During the first trimester it was a bit difficult to me to kind of 'find a way' to get back on track. I wanted to deliver something productive.
The changes in my life of course had an immediate effect on my way of thinking.
We were talking about the ideas of what it means to keep an archive and what protocols there should be made.
My counterthought was about Protocols for passive hoarding.
As an idea of "we might need this later".
The questions that I / We raised were
'do we really need to preserve everything? What do we take with us?'
From this point, Senka and I started talking about the questions that were raised about to think about ideas protocols for active archiving. I read that personally as if we were responsible for the maintenance of the Radio Worm's archive. Instead, we made a work that asks for reflection.
With both having made some critical essays / poems, we decided to make a video work because we wanted to visualize the amount of archives. No sound, just video. In these videos, we portray the radio worm from the apocalyptic narrative of SIGNAL LOST: ARCHIVE UNZIPPED.
Where Senka shows the vessel of the radio station, I show the amount of data and sounds and players and information that actually go 'live'.
<write on this later>