Feedback

Tutorials

Cihad

record myself doing what I am doing Think about documentation Different methods Different versions Write next to your drawings Screen record Play with the material Form and content, do they match? Introduce a third voice Hybrids Midjourney Drawing machines Imperfections

References archeology of things, Foucault reproduction, Walter benjiman

Sabine

Can you talk about a specific geographic location Can you be more specific Zoom in and zoom out Children playing games Land it somewhere What is the relationship Improv Role of emotions and experiences? Dramaturgical Bring doubt in on the creator/narrator? Sharing a process of comprehending How can you perform the concern? Bring in paradoxes How can the narrator be not always authoritative Why is it looping? Switch person

References Rachel cusk Deborah levy Quin la tima, like a woman Why women can’t write Literary architecture James kinett Fred Morten Social poetics Jameson Hewitt Marina molina person

David

Dealing with the material, speculation, timeline, register, monolithic, embedding technology in history, history of representation, an anxiety, at the moment it is very binary text vs. image, compression, material, western paiting, will blake, joseph wright derby, stone carvings, alchemy, compression of rock, compression of image, "things that make sense without having to be explained", elizabeth price - felt tips, speaking on its own terms, graphite, visual possibilites, dont use A4, history of images.

You made this place of holes in which the ideas exist - it suggested a situtation

Barend

Didatic and lyrical, perhaps it would help to slow it down, leave more space to contemplate, land it somewhere, specificvity, consequences, implications, breadcrumbs, its much better to ask a very specific question then to give an answer, can we recognise the concerns, tracing, map making, history, drawing, storytelling - start with the line rather then the image, a maze, put the camera inside, the notion of tracing, history data centres, paths, travelling in it, making the work to find the posisiton

Try playing with the process:

- scan in a line, see what happens

- try to find a way to control the path

- in illustrator you work with vectors not pixels

Ine

Spoke of mosaic storytelling. Collective connections is what I am looking for, those moments where we go 'yes, something has been understood' - although it is only gestured towards. Structure and connections are important, almost most of all. Sometimes the structure should or can be like a Skelton laid bare.