GarvanNotes

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Revision as of 14:10, 1 December 2022 by Steven Rushton (talk | contribs)

Achievable aims ahead of next meeting:

The mode of address is sound but their needs to more precision and substance around

  • the prison as an instrument of colonial power
  • How specifically the prison is translated into a media commodity. What happens at the prison (museum)- this suggests a method for other texts.
  • of Ireland as a media commodity

What happens here?: 1) Location is decontextualised - but what remains? the semiotics serve a purpose in the context of the film 2) Location substituted the location becomes "the place where X was shot"- it is meta. 3) it engenders further media products such as = city film location tours . New Zealand - lord of the rings- London Harry Potter; Croatia Game of Thrones. Real places become references to fictitious places.

How is this different from Joyce and the tower in Dublin?

Places become part of media history.


  • more reflection on the semiotics in Paddington; what is being shown; what is it signing?