Ara3e11aAnnotation
what?
Someone or something walking out of the cave.
how?
Annotations Lau:
why?
Annotations Lau:
I'm always interested in looking for images that strike people, but they don't know why. They evoke a certain feeling before thought. That's always what I'm looking for when making an image. That image revokes a mood that I will put in the piece.
choices?
Annotations Lau:
I wanted to catch a sense from being in another time. I just liked it visually. It is almost like a hole in a screen.
what came before?
Very influenced by playrights and novels. 'Waiting for Godot' - Samuel Beckett. I was really influenced by Laura's workshop, especially the day when we talked about the Chris Marker film and the narratives. I wrote a prose-piece after Laura's workshop. The hole in my heart. The hole in the cave. It made me speak from a non-human perspective. I'm exploring places where people hide. Hiding became a theme. This really influenced me.
what will follow?
After Affects. 3D compositing. Need to develop the script. It's gonna be a larger work.
3 questions from the question generator
How does it change?
It will start from this cave and then it will touch bigger themes. We will change from a narrative. There will be creciendo in the piece. And eventually it will evolve in a bigger project.
What would you change?
I would stay there for longer. Better camera. And lights. I would have recorded sound a bit better.
What kind of feelings?
I'm trying to create these feelings of clandestine. To uncover something that has to be hidden. This excitement of exploring. The notion of being hunted.
Notes Lau:
what
how
why:
part of a larger project, the moral dilemma’s that were put on smugglers,
what:
smugling country 1780’s, caves to smuggle goods. Narrator asks questions
Choices:
choices forced by nature, only could go there for 45 minutes, shot on a phone and a gimble. Only a couple of shots that I wanted.
Came before:
A lot of research and reading
Came after:
Use this footage, keep working it, work it with 3D gathering
Question generator:
What would you change:
I would like to stay there for a week. I would have just stayed there.
Nina:
what:
rehearsal scene, assistant of scenographer, Oslo national theatre
Bjornson - beyond our power
bad situation, february, the first time after the war, nobody could get into norway, the production designer couldn’t come
footage was more there for memory. It’s collaborative.
the role of the scenographer is quite big.
Before: we started with a workshop, but covid came. Now still waiting.
Psychodrama: a reflexive form of art
After: