Al's XPUB2 proposal draft
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// back to Graduate Seminar
Questions
_What do you want to make? _How do you plan to make it? _What is your timetable? [stages] [deadlines] _Why do you want to make it? _Who can help you and how? _Relation to previous practice _Relation to a larger context _References/bibliography _Who is the work for (part of why do you want to make it)
What do you want to make?
Why do you want to make it?
How do you plan to make it?
What is your timetable?
Who can help you and how?
Relation to previous practice
Relation to a larger context
References/bibliography
WIP - what informs the research
reads
Oliveros, P., 2005. Deep Listening. New York. Deep Listening Publications. [annotated pad]
adrienne maree brown, 2019. Pleasure Activism. The Politics of Feeling Good. Chico, Edinburgh. AK Press. [annotated pad]
Evens, A., 2005. Sound Ideas: Music, Machines & Experience. U of Minnesota Press [annotated pad]
Kreidler, J. 2013. loadbang. Programming Electronic Music in Pure Data. 2nd edition. Hofheim: Wolke Verlag.
Weiss, A., 2001. Experimental Sound & Radio. The MIT Press.
Groot, M. 2019. The Amateur's Armour. [online] Available at: <https://underbelly.nu/wp-content/uploads/2015/04/The-Amateurs-Armour.pdf> [Accessed 11 October 2022].
sound publications
Brown, A. R., 2022. Beneath Maiwar.[online] Available at: <https://www.explodingart.com/arb/2022/06/28/beneath-maiwar/> [Accessed 30 September 2022]. [annotated pad]
Nagy, A., 2018. Hackpact / Sonification Studies. [online] Available at: <https://stc.github.io/HackPact/> [Accessed 30 September 2022]. [annotated pad]
Who is the work for?
[methods to facilitate collective sound publication creation]
_educators: people who are facilitating various educational activities and are looking for ways to bring more mixed media in their activities;
artists: who are looking for new techniques for their practice and ways to experiment, boost their creative process; to find more ways to reflect over topics and contents;
_tba: who else? tba
[publish and perform audiozines]
artists: who are looking for new techniques for their practice and ways to experiment, boost their creative process; to find more ways to reflect over topics and contents;
topic-related interest: if the audiozines reflect on a particular topic, could be interesting for people who are triggered by the topic?
tba: who else? tba
Research places
wiki
▶ Al Nik's Hackpact
▶ Sound jams research
wip
▶ the first draft pad [created during the Graduate Seminar on 29-09-2022]
▶ jams ideas
▶ references - collective pad with Mitsa
▶ tagging and mapping research elements
research pads
▶ glossary
▶ audiozines
▶ pure data
▶ live coding