References

Situated Knowledges By Donna Harraway

Who has a body?
We don't want to represent the world.
We don't want one body
Universality is reductionism
Prosthesis and not objectivity
All vision has an embodied nature
The body is an agent not a resource
How to see from below?
Vision requires instruments of vision
Who can and who cannot?
How to see?
Where to see from?
What limits to vision?
What to see for?'
What other sensory powers do we wish to cultivate besides vision?
Location is about vulnerability
Situated knowledges are about communities and not about individuals
Sex as an object of biological knowledge
Situated knowledges require that the object of knowledge is an actor or agent
Conversation vs discovery
Bodies as objects of knowledge are material-semiotic, generative nodes

keywords
subjugated knowledges
location
embodiment
partial perspective
politics of vision
fantastic imaginings
local knowledges

Shell Song

https://pad.xpub.nl/p/shell_song

On Sonic Art / Red bird by Trevor Wishart

https://www.soundohm.com/product/red-bird-a-political-pris

https://www.youtube.com/watch?v=lekLl7o8yrc

Deep listening by Pauline Oliveros

"What is Deep Listening? This question is answered in the process of practicing listening with the understanding that the complex wave forms continuously transmitted to the auditory cortex from the outside world by the ear require active engagement with attention. Prompted by experience and learning, listening takes place voluntarily. Listening is not the same as hearing and hearing is not the same as listening. The ear is constantly gathering and transmitting information—however attention to the auditory cortex can be tuned out. Very little of the information transmitted to the brain by the sense organs is perceived at a conscious level. Reactions can take place without consciousness."

This track may contain politics by Hannes Liechti

From the author, page 10
" In this book, I argue that analysis of the culture of sampling is one possible way to access particular narratives of this world. The inclusion of external music, environmental noises, or found media material brings the world into popular music tracks in a condensed form. Timothy Taylor (2001, 139) describes sampling as providing “aural glimpses of the social.” Every process of sampling represents a complex net of contexts, meanings, choices, creative decisions, and musical strategies. In-depth analysis of such processes and their socio-cultural ramifications means revealing and interpreting this net as far as possible."
Why has a particular sound been sampled?
This book focuses on electronic musical tracks that contain political sampling material

Lara Sarkisian - Kenats
https://soundcloud.com/larasarkissian/kenats?in=evolution-fan/sets/warm-water

sampling with political intent

Sampling with political intent
One Pig from Mathew Herbert--> processed sounds from a pig's life to criticise globalised food industry
https://www.youtube.com/watch?v=uOyllh4UG-U&list=OLAK5uy_mV2FXXq-jjLswh4ErmxpuRt8utltd3uIE