User:Loes van Dorp/Masterclass Piotr Dumala
Masterclass Niaf Piotr Dumala
- 14 t/m 17 December 2011
With
- Digna van der Put
- Jasper Kuijpers
- Max Porter
- Evelien Lohbeck
- Ton van Rijswijk
- Rowena Growe
- Anneke de Graaf
- Laura
- Francoise
- Me
14 december introduction Piotr Dumala
Notes
Polish music
First seperately, make it into one.
Life action and Animation.
What is the spirit of cinema?
Editing is the most spiritual thing of my work.
How much music can influance the story
Emotions&abstration of film.
- Life action film and Animation
T.V. was a small house of farytail
a window to enter the alternativ world.
The world beyond 18 was impossible to image.
Film Glass-Eye ( David Lynch)
6 or 5 years old and I was scared, although there is no monster, no murder, but the loss of controll is what gives the unsecure feeling.
The force of the film image
inner truth
surprise and espectation
Film and dream, you cannot touch the development of the dream, like film.
Film White Srawberry's ( Bergman, swedish film)
Watched it when I was home alone
How dreams could be reproduced in film
Resamble silence cinema
Horror ( early cinema) were based of bringin alive monsters.Like Nosferatu, Frankenstein.
Melkovich - Nosferatu actor
Laurent & Hardy, Chaplin are Simular to Bergmans films.
- Rosemary's baby Music
- Non verbal narrative
I used animation to tell a story ( you write through film)
Animating is like writing, in your own world, very intimate.
Freedom from the hassle from the world.
Scratching in plaster with paint.
It is an illusion.
il Loes ion
Kafka Animation:
In Animation distortion is not important , discontinuity is animation.
Film The forest ( Piotr Dumala)