Mia/Captain's Log
29. 10. 2018 - Javi's tutorial
- sound (Arduino) - Editions Volumiques: Le livre qui voulait être un jeu vidéo
- John Baldessari - humorous, playful approach
- Tacita Dean
- links to References
- (downloading yt video/channel/playlist)
29. 10. 2018 - David's tutorial
- think about the subject that points out the relationships your camera is discussing (photo - drawing - layering)
- how can the subject (what is in the picture you make) emphasize this "conflict" of image and text or photo and drawing
- objective vs. subjective/poetic
- photography vs. (handwritten) text
- basics of semiotics: Charles Sanders Pierce
- fundaments of the medium - Wilem Flusser: Towards a Philosophy of Photography
26. 11. 2018 - Javi's tutorial
1. PHOTOBOOK - BRUSHSTROKES (working title):
- juxtaposition with paintings would be too straight forward, too flat, a single layer
- think about CHANCE and ACCIDENT (as fragments of reality)
- reading on the topic: George Brecht - Chance Imagery
- artists: Bruce Nauman - Coffee Spilled;
- references on traces/fragments dealing with time and past, accidents etc. Pierre Huyghe - Gallery Wall
- chance - gesture
- the selection (photographs) of found drips, stains, strokes is interesting enough to work with it
- important phase of trying out, printing, matching, replacing in physical form to make decisions
- interaction with the user: first intention is that user can add drawings, brushstrokes, that the object is between the photobook and a sketchbook - BUT! - how to not make it with instructions, to not make it obvious but natural, spontaneous (just as chance and accidents that are represented in the book!)?
- potential answers: to make a binding that can be changed (with screws), paper that is thicker, resembles sketchbook features, TITLE
- balance between open and fixed structure
- text included in the book? probably not (just as an explanation besides the project)
2. FOCAL CAMERA - DRAWING CAMERA
- for presentation is interesting to also see the camera as an object, a methodology
- seeing pictures all together is different than observing them separately
- from mere experiments try to focus on one aspect of the research and develop it in detail (either abstraction, text as a comment on the image, etc.)
- relation between the drawing layer and photograph is important!