User:Angeliki/Interfacing the Law/ research

From XPUB & Lens-Based wiki

Provisional research

Topics

  • hypertext and feminism
  • personal collections
  • media activism
  • “traces” in pirate libraries
  • collective reading- and public space
  • intellect augmentation


Secondary topics: piracy, hacking, back doors, black holes

Abstracts

Women Writers and the Restive Text: Feminism, Experimental Writing and Hypertext by Barbara Page

In this text Page refers to the strong connection of hypertext and feminism, focusing on the unconventional writing of several female authors. The hypertextual way of writing provides a freedom and space for collaborative compositions and alternative interpretations of the text. This practice radicalise the narrow and patriarchal form of writing by being 'nonlinear, nonhierarchical, and decentering', and even fragmented. She gives an additional meaning to the term by referring to electronic writing, which is inclusive and 'interweaves' the media between them.

You say you want a revolution? Hypertext and the Laws of Media by Stuart Moulthrop

Bibliography

  • Clark, “Hypertext as Feminist Pedagogy” [WWW Document], n.d. URL http://kairos.technorhetoric.net/6.2/coverweb/gender/clark/ (accessed 4.25.18).
  • Furter, L., 2015. Online Reading Group [WWW Document]. http://url.net/. URL http://lorainefurter.net/shared-library/ (accessed 2.11.18).
  • Galloway, A.R., 2004. Protocol: How Control Exists after Decentralization. MIT Press, Cambridge, Mass.
  • Holl, U. (Ed.), 2017. Cybernetics, in: Cinema, Trance and Cybernetics. Amsterdam University Press, pp. 33–38.
  • Krikorian, G., Kapczynski, A. (Eds.), 2010. Beyond Representation: The figure of the pirate, in: Access to Knowledge in the Age of Intellectual Property. Zone Books, New York.
  • Michielon, V., n.d. TKB Project. Novel intersections between language, performance and Digital Media| Digital Art, Design and Culture [WWW Document]. Digicult | Digital Art, Design and Culture. URL http://digicult.it/news/tkb-project-novel-intersections-between-language-performance-and-digital-media/ (accessed 4.25.18).
  • Orwant, J., 2003. Games, Diversions & Perl Culture: Best of the Perl Journal, 1 edition. ed. O’Reilly Media.
  • Page, B., 1996. Women Writers and the Restive Text: Feminism, Experimental Writing and Hypertext. Postmodern Culture 6. https://doi.org/10.1353/pmc.1996.0002
  • Pignatti, L., n.d. Erkki Kurenniemi: The Archival Fever in Creative Practice [WWW Document]. Digicult | Digital Art, Design and Culture. URL http://digicult.it/news/erkki-kurenniemi-the-archival-fever-in-creative-practice/ (accessed 4.25.18).
  • sullivan.pdf, n.d.
  • Talks/Poetics of Research - Monoskop [WWW Document], n.d. URL https://monoskop.org/Talks/Poetics_of_Research (accessed 4.17.18).
  • Towards a Loosening of Categories: Multi-Mimesis, Feminism, and Hypertext | Electronic Book Review [WWW Document], n.d. URL http://www.electronicbookreview.com/thread/writingpostfeminism/appropriated (accessed 4.25.18).
  • Wardrip-fruin, N., 2003a. The New Media Reader, Har/Cdr edition. ed. MIT Press, Cambridge, Mass.
  • Wardrip-fruin, N., 2003b. Augmenting Human Intellect, in: The New Media Reader. MIT Press, Cambridge, Mass, pp. 95–108.
  • Wardrip-fruin, N., 2003c. The World-Wide Web, in: The New Media Reader. MIT Press, Cambridge, Mass, pp. 792–798.
  • Wardrip-fruin, N., 2003d. You say you want a revolution? Hypertext and the Laws of Media, in: The New Media Reader. MIT Press, Cambridge, Mass, pp. 692–704.
  • Τέχνη και Παγκοσμιοποίηση, n.d.
  • ΤΟ ΔΟΓΜΑ ΤΟΥ ΣΟΚ, n.d