User:Nadiners/ unpublishingthesis
9th November 2017
The Unpublishing House
I bought the domain and it works!
http://unpublishing.house/
The act of unpublishing or the intentional disappearance of content from the online public sphere, and the asymmetrical power structures not permitting this very act to exist.
(think about the reader) define the verb ‘to unpublish', how it did not exist before the internet times, give different examples of different ways and power structures can unpublish content, from individuals to companies, to states to robots.
Today there is so much (digital and analogue, but more digital) content produced in the world, recurrent topics such as archiving and big data are dealing with this issue. But I would like to deal with the opposite, unpublishing, removing or destroying this excessive amount of nonsense we bring into the world. On the other hand there is important content that is being unpublished with bad intentions. By removing anything no matter where your intentions lie, you in fact bring more attention to what is being ‘removed’ thus producing more content... a vicious cycle is created, and we are doomed. And this is what I would like to talk about, the very fact that today what I would like to talk about is in fact an impossibility, a paradox, a never ending story.
The Unpublishing house will be a place for discussion. I will write a manifesto integrated to the thesis, disguised as titles, all the while being relevant, of course. An idea: to use imperatives. instructions/commandments. a form of power, which might then dissolve in the following text.
This chapter will talk about the right to be forgotten, the EU law, and state the fact that even though you might have gone through the process of removing your content, it can still be out there.. once it’s gone viral, it’s impossible to find all the sources and delete them, let alone to unseen them.
Trying to shut someone up will only make them react more, psychological effects.
Give and example of digital content that can be destroyed: the guardian destroying Snowden’s files
But then so many reactions came to life from the Snowden story, so even if the original content is destroyed, all the mediators and reactors made this destroyed content come to life in a different larger form.
If a subject would like to remove something about oneself, they bring attention to the content by asking for it to be removed. If a corporation deletes it's own content, it will eventually be discovered by journalists bringing attention to the public as the mediator, the public will then react on social media and the subject will get viral. In another case if something has been removed yet attracts no particular reaction then it is proving its worth. Reactions don't have to be immediate, they can also appear long after the act, but in the online world things happen much faster than we can follow.
So does this verb that didn’t exist a decade ago, can it ever exist?
bibliography
Bots:
Twitter Trump
Snowden destroyed files
Facebook content Monitors:
Artwork by Eva and Franco Mattes:
- http://0100101110101101.org/abuse-standards-violations/
- http://0100101110101101.org/dark-content/
- https://www.nytimes.com/2016/06/26/arts/design/illuminating-the-dark-web-and-content-monitoring.html
more:
Seppukoo - suicide machine
first ideas
Unpublishing
Begin with a clear mission statement, a sort of manifesto (which could also be part of the project)
I would like to investigate the reverse of publishing – unpublishing – and compare its different impacts from large scale national content to individual cases. When a certain material goes offline, it sparks up reactions, meaning the content that has previously been published, only attracts more attention once it has been intentionally removed.
This raises the question, does unpublishing exist in the online world?
This can be investigated in a variety of cases. If a subject would like to remove something about oneself, they bring attention to the content by asking for it to be removed. If a corporation deletes it's own content, it will eventually be discovered by journalists bringing attention to the public as the mediator, the public will then react on social media and the subject will get viral. In another case if something has been removed yet attracts no particular reaction then it is proving its worth. Reactions don't have to be immediate, they can also appear long after the act, but in the online world things happen much faster than we can follow.
definition
First I’d like to define the term, the verb ’to unpublish' only exists online. It refers to content that has been published online, and then made unavailable to the public. Print is harder to unpublish, it might be removed from shelves or destroyed, but once it is published, or distributed to the public, it would be harder to remove it from the public sphere. Let us not confuse removing content to deleting content, digital unpublishing relates more to the removal of a particular content. Deleting might refer to destruction, no longer available to anyone. Removal, refers to the public sphere not being able to reach the certain information.
previous work
This thematic comes from a reversal of my previous topics of interest, where I dealt with the revealing or highlighting unpublished or leaked documents. In one project I collected three different documents relating to drone attack, one being the instruction manual, the second a transcript from leaked audio files of pilots talking during an attack in Afghanistan, and the third was a list of the resulting number of deaths from each attack that was recorded. In another project I created a food wiki where I would collect processed factory packed foods and divide the information found on the packing (on the surface) to information about the corporation (under the surface) in order to make it easier for consumers to know what is in and where their products come from, at the same time revealing the industries secrets.
unpublishing in history
Large scale: Burning books
Individual scale: ?
relevant points
The right to be forgotten only applied in the EU
Self Publishing
Bibliography:
- Viktor Mayer-Schönberger presents "Delete: The Virtue of Forgetting in the Digital Age” https://www.youtube.com/watch?v=XwxVA0UMwLY
- The Solace of Oblivion - Jeffrey Toobin from The Newyorker https://www.newyorker.com/magazine/2014/09/29/solace-oblivion
- The suicide machine http://www.seppukoo.com/ / https://en.wikipedia.org/wiki/Web_2.0_Suicide_Machine
- https://personaldata.io