User:Laurier Rochon/work/tragicnine
Tragic Nine
The gist of it
- You subscribe to the Tragic Nine show (it's a soap opera newsletter)
- I use a computer script to gather tragic news from around the world, extract the stories from it and transform it into a soap opera narrative.
- Nine lines are sent to you by email just in time for your morning coffee
- The next day, I use the last section of of the previous episode as the search criterion to gather news stories, and do the same. You are sent the next episode just in time for your morning coffee.
- Same next day, and all other ones after.
- You are absolutely hooked.
Proof of concept
This test was done using actual scraping - the text needs massaging, yes.
DAY I (email 1)
"You're a good person"
"I don't know who you think I am, bitch," she snarls, "but I'm not that person"
I don't feel that I'm special in that way
"I don't want her talking to me!" she screams
Sgt Beth Walton from the Road Death Investigation Unit wants to talk to anyone who saw the collision or remembers seeing either car just before it happened
Reassuring too that the case has been turned over to the Metro Homicide Unit for further investigation
"Britney turns to Ghalib and grabs his arm"
Then she ducks into the dressing room with Ghalib
"Leave us alone!" yells Ghalib
<More of the drama tomorrow...>
DAY II (email 2)
<In the previous episode : "Leave us alone!" yells Ghalib>
"Her legs are actually really skinny," an adolescent whispers into her Sidekick, as Britney beelines for the Betsey Johnson boutique, pseudo-punk designer of evening dresses and splashy heels worn to suburban high school proms
Spirits will be heightened, but I imagine they will also be high
Undaunted, the little boy picks up his father’s spear and rushes to drive it through the old man, who, recognizing the boy’s samurai spirit, embraced him in death, calling him “Grandson of my heart
It is the story of a samurai who walked the path of death while pushing a small cart in which sat his little boy
They walk a different path
I walked through life with a constant weight in my head for a couple of years
Over the next couple of years, the stakes seemed to increase
Each miserable day seemed eternal, and yet within five years, I did rebuild, and I met the woman I would marry
<More of the drama tomorrow...>
DAY III (email 3)
<In the previous episode : Each miserable day seemed eternal, and yet within five years, I did rebuild, and I met the woman I would marry >
It ended with the wish of a prayer or blessing for the person finding it
The princess marries the prince, and everyone is guaranteed a happy ending
It doesn't mean I don't have happy days in between, but I do worry
The best antidote to sadness is the argument that things will get better, and short of that, to find happiness in the moments that follow, and short of that, to just find meaning
It seemed so likely to me that things would be worse before they would get better
Still, people can tell me things will get better, and they might be right
No, not so perfect, but so right
All rights reserved
...
Another way of seeing what it does
| lots of information + boring |
| |
| filter filter filter |
| |
| |
| filter filter filter |
| |
| |
| |
| |
| |
| almost there |
| |
| |
| |
| |
| |
| |
CAPTIVATING SOAP OPERA
IN YOUR INBOX
Prologue
Working with the ideas of structure, plot, narrative and tragedy, I had the original intention to reenact an Ancient Greek Tragedy in the most traditional fashion. By splitting up the structure into very rigid prologue/acts/closure/etc subsections, world news would fill in the blanks and create a single story that would read semi-fluidly on the screen. The different stories would be jammed together one after the other, and then split up again according to the structure I had defined. It looked a little like this :
Prologue
“It is a comedy, and that must have a certain rhythm and energy. And I had to have that every day for eight weeks. That was really something. Yet while she looks exquisite — easily a dozen years younger — she also looks like a woman who truly loves life, and a woman who has fully lived. “But by the time I was a young girl, my mother was not working, and my father was mostly doing dubbing work,” she said. “We had no real connection to cinema. “It all happened by accident. And then someone asked me to do something else, and then Jacques Demy saw me.
Parados
And it began. “Acting was not just doing a film, but being involved in another world. Instead of just dreaming about what it might like to be someone else, it was being able to really fly away and into another character, and experiencing emotions you might not be able to.
Episodes
Act 1
“I had seen his first film of course, ‘Knife in the Water,’ which was very good. The Society is now beginning a Spring Mini-Season at the Curzon Cinema with seats available as usual for the general public and it is Bouchareb’s London River starring Brenda Blethyn which starts off the season on March 23. Both come to London in the wake of the 7/7 bombings concerned about their children – her daughter and his son – who might possibly have been caught up in the tragedy. Bouchareb’s aim is to find a message of hope in this context, but without sentimentality. Perfectly acted, this is a moving story with a positive message. In the end, and along the way, you’ll cheer for the underdogs, a group of talented but sadly forgotten musicians who make an unlikely comeback. It’s intelligent and politically savvy entertainment that, although filled with stereotypes and unlikely plots, emerges as a delight.
Act 2
He was unceremoniously fired 30 years ago when he insisted on hiring Jewish musicians during an anti-Semitic purge near the end of the Brezhnev era in Russia. Hiding it from the officials, he decides, with the help of a brazenly crooked manager, to get his old orchestra together and play the concert instead. The dowdy group of has-beens insists upon perks like traveling expenses and dinner at a first-class restaurant. The conductor’s wife, for example, makes a living by supplying “extras” for lackluster political rallies that don’t have enough bodies to look spontaneous. The cellist is a bear of a man who looks as if he might crush the cello. The drunken Gypsies and the loud Russians are straight out of stereotype-land, but, as it turns out, this is all the better to get laughs.
Act 3
Not since Robert Preston’s “think” method in “The Music Man” has a group of musicians been so unlikely to carry a tune. They acquire instruments and fake travel visas with so much ease that it stretches plausibility. The far-right National Front (FN) party set the stage for big political gains in last Sunday’s local elections. Half of France’s 2,023 cantons – the country’s smallest territorial units – were up for grabs, and the anti-immigration party led by Marine Le Pen won a place in the second round in 394 cantons, or a fifth of all contested councils. He was outside Hakim's bakery, handing out fliers to people buying dinnertime baguettes and having a drink with rugby enthusiasts at a local bar. By contrast, FN candidate Rémi Carillon, a virtual unknown who won almost 17% of votes in the first round, was nowhere to be seen. Bourgoin, a member of the Communist Party, obtained almost 60% of the votes in Gennevilliers, a city with a strong immigrant population and a long tradition of voting for the Communist ticket. Despite winning over half of all ballots, very high abstention rates in the first round forced Bourgoin into a run-off. However, many residents do express fear about the far right's surge in popularity.
Exodos
Resident Elsa Fausillon said she continues to be shocked by the FN's electoral progress. "People voted for the FN before, but would hide it," said Fausillon. "I hear more and more people admit that they vote for the National Front. "When they see the kids of Gennevilliers and Asnières beating each other up, they vote for the FN. While the death was an isolated tragedy, it is part of an ongoing rivalry between youths in two adjacent housing projects that straddle the border between Gennevilliers and the city of Asnières. But they are not convinced that the killing had much influence on the election. Late last year she compared Muslims praying in the public streets outside crowded mosques to the Nazi-era occupation.
This was somewhat interesting, but 2 main problems arose :
- The stitching of the texts together was arbitrary. They were just glued together, start to finish in the hopes of creating a cohesive, united story - but language doesn't work that way. Even though they were texts that got harvested from the same batch of links (generated from the same search query), there was lots of discrepancies in the different interpretations of the term.
- The delivery : shooting this to people right on the screen sucks. It doesn't bring much to the reader, it doesn't really get much across, and it's way too much text for anyone to be remotely interested in participating for that long.
I must point out that these 2 weaknesses were brilliantly worked out with the help of Michael and Aymeric respectively. Their advice went something along the lines of (Michael) : take context into account - and (Aymeric) make the project more self-critical.
The current building blocks
The tragedy, the soap opera
Turning newsworthy tragic events into a soap opera script it to me, a great way to undermine and criticize both news media and soap operas. Somehow the message behind the story gets through, but there is an evident reference to the 'playing out' of events. Soap operas usually ride the wave of tragic events, but are rarely to be taken seriously at all. They apparently have their own language, camera techniques, cutting mechanism and so on. In the way, the predictability of it all offers a nice platform to reflect upon the constructing and publishing of real news stories via the Internet.
And again, it's much about structure for me. The idea of the soap opera is to feed the audience bit by bit, and hopefully keep the suspense (or gossip) going for as long as possible. By stopping each episode right before a climatic moment, one hopes to hook the viewer and make them come back for the next. I would like to mirror this reasoning as I deliver the messages via email to subscribers - very quick to read, painless, effortless, brainless.
Hopefully there will be a strangeness, an uncanny feeling from the juxtaposition of the form and the remixed content. The very few experiences I've had watching these types of shows, I felt a very morbid vibe traversing me - some kind of paralyzing effect which I had trouble shaking off, even being done watching. There is a perpetual flatness, a numbing force that wraps quickly around you, and it feels difficult to untangle oneself from it. It feels like the simplicity gets under my skin, and slowly works its way into my brain. Hopefully I can leverage this textual apathy to create a stark contrast with the pressing issues raised by daily tragedies.
Worldwide news
New newsletter/subscription format
The algorithm
The new and improved mega-pipeline
- Google API news search : tragedy
- Harvest max 64 links
- Go one by one, crawl them
- Clean out the HTML, clean out the crap, clean out the links, etc.
- Merge all text, split into sentences. Order by length.
- For every single sentence, check all other sentences for the one which is closest to it (highest amount of similar words).
- Measure which chunk of text (9 lines) has the highest average density of similar text. This means going through every possible combination of 9 lines (keeping the order of course) and seeing which of them are most coherent together (statistically, anyways).
- Record these 9 lines, they are the next to be sent out.
- From those 9 lines, grab the last 3. Strip out verbs, stop words, non-alpha words, misspelled words (thank you Enchant module) - essentially just keep nouns.
- Check the frequency distribution to see what is most commonly used. For example, 'bridge' and 'Oakland' might be the 2 most popular terms from those 3 lines.
- Use "tragedy" + popular term from last 3 lines #1 + popular term from last 3 lines #2 (in this case, 'bridge' and 'Oakland'
- Google API news search : "tragedy+bridge+oakland"