Talk:Thematic-Making It Public
Page dedicate to brianstorming, planing and preparation of the thematic
Note:
- feel free to change any anything
- if you want use to add a comment use ~~~~ will sign the comment. E.g. Castrobot (talk) 21:04, 27 September 2015 (CEST) is writing a comment here
Topics
Distribution
MONDAY
10:00-11:30 Introduction Annet and Andre
11:30-12:30 Aymeric Mansoux (Monday) - Novel forms of distribution: cultural diffusion of proto free and free culture (undefined notions of access, freedom and public ).
12:30-13:30 Lunch break
13:30-14:30 Amy Wu (Monday) - Fazines and underground networks of publications' distribution.
14:30-15:00 Break
15:00-17:30 Practice
17:30-18:30 Dinner break
18:30-22:30 Films
Introduction / comments by Martino Morandi
Francoise Levie, The Man Who Wanted to Classify the World (2002) - 60 min
Ben Lewis, Google and the World Brain (2012) - 90 min
Bregtje ter Haak, Digital Memory Loss (2014) - 49 min (if needed ?) http://tegenlicht.vpro.nl/afleveringen/2014-2015/digitaal-geheugenverlies.html ( i think there is also a subtitled version)
Pre-reading
Wittgenstein,
Chantal Mouffe
Harvey.
Additional reading (not required, yet recommended)
Aymeric Mansoux, How Deep is Your Source
Writing the Archive
TUESDAY
10:30-11:30 Introduction Annet and Andre
11:30-12:30 Sandra Fauconnier - Writing Wikimedia
12:30-13:30 Lunch break
13:30-14:30 Michael Murtaugh - Active Archives; Erkki Kurenniemi: In 2048 - will be remote from MIT, will do it in afternoon
14:30-15:00 Break
15:00-17:30 Practice
17:30-18:30 Dinner break
Pre-reading
Geoff Cox, Nicolas Malevé, Michael Murtaugh, Archiving the Data-body: human and nonhuman agency in the documents of Kurenniemi
Lori Emmerson, The influence of writing interfaces - typewriter, computer terminal, ipad - on the text works produce with them.
Additional reading (not required, yet recommended)
Michel Foucault, What is an author? http://www.movementresearch.org/classesworkshops/melt/Foucault_WhatIsAnAuthor.pdf
Matthew Kirschenbaum, What Is an @uthor? https://lareviewofbooks.org/essay/uthor
Digital & Hybrid Publishing
WEDNESDAY
10:30-11:30 Introduction Annet and Andre
11:30-12:30 Florian Cramer - Off-line digital reading
12:30-13:30 Lunch break
13:30-14:30 Pia Pool - Digital publishing for publishers
14:30-15:00 Break
15:00-17:30 Practice
17:30-18:30 Dinner break
Pre-reading
Katherine Hayles, Writing Machines (chapters 1,2,3) http://monoskop.org/images/b/bf/Hayles_N_Katherine_Writing_Machines.pdf
Johanna Drucker, A Centruy of Artists Books: artists books as self-reflexive objects
Johanna Drucker, Graphesis http://www.johannadrucker.com/pdf/graphesis_2011.pdf
Additional reading (not required, yet recommended)
Michael Bhaskar, The Content Machine: Towards a Theory of Publishing from the Printing Press to the Digital Network. Anthem Press, 2013.
Examples
Electronic Literature & Its Emerging Forms: http://dtc-wsuv.org/elit/elit-loc/works/
http://collection.eliterature.org/1/ http://collection.eliterature.org/2/
Castrobot (talk) 22:05, 27 September 2015 (CEST) Wonders about this categories: At the moment I see 2 large areas: publishing and archive. Should documentation also be considered?
Structure
Each of the thematic's days could perhaps be organized, according to:
- 10:00 - 11:00 Reading list presentation and discussion. Aiming to prepared the ground for the presentations that will follow. Participants present (organized in groups) 2 or 3 of the titles from the reading list.
- 11:00 - 13:00 Guest presentations
- 14:00 - 17:00 Workshop - how to create the publication? We need to walk together through the material, the aim of the publication, the different necessary tasks:
- works: storing, describing classifying on the wiki
- publishing pipeline: getting the content from wiki into a publishable form
- front-end design: how the publishable output(s) will look like.
- communication and distribution
Films
- (possible) William Raban - 72-82 (2014) http://www.acme.org.uk/commissions/williamrabanfilm - ask Andre for film. It is interesting use of archive material to portrait a space and time.
Reading list: key arguments
Hayles, Katherine. Writing Machines
Chapters: 1,2,3
- the work being influenced by the materiality of its inscription technologies
- artist's book and concrete poetry reflect upon and expose this influence of the inscription technologies. (22:05, 27 September 2015 (CEST) will also include some web art works - Jodi - or glitch art though the introduction of errors).
elaboration ideas:
- how is the current writing inscription technologies affecting what is being written? Examples of this influence are clear in music the 3' song form that result form the duration of a side from a 78rpm record.
- can the publication of works across multiple media, like in hybrid publishing, inhibit the dialog and reflection between work and inscription technology?
- links to other texts:
- Lori Emmerson: the influence of writing interfaces - typewriter, computer terminal, ipad - on the text works produce with them.
- Johanna Drucker "A Centruy of Artists Books": artists books as self-reflexive objects
- Johanna Drucker "Graphesis": proposals for exploration of writing technologies - footnotes, taes of contents, referencing, etc - in digital and networked environments.