Revision as of 10:17, 8 October 2015

Page dedicate to brianstorming, planing and preparation of the thematic

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Topics

Publishing (Distribution)

Day: Monday 10:00-11:30 Introduction Annet and Andre 11:30-12:30 Aymeric Mansoux (Monday) - Novel forms of distribution: cultural diffusion of proto free and free culture (undefined notions of access, freedom and public ). 12:30-13:30 Lunch break 13:30-14:30 Amy Wu (Monday) - Fazines and underground networks of publications' distribution. 14:30-15:00 Break 15:00-17:30 Practice 17:30-18:30 Dinner break

18:30-22:30 Introduction / comments by Martino Morandi Francoise Levie, The Man Who Wanted to Classify the World (2002) - 60 min Ben Lewis, Google and the World Brain (2012) - 90 min Bregtje ter Haak, Digital Memory Loss (2014) - 49 min (if needed ?) http://tegenlicht.vpro.nl/afleveringen/2014-2015/digitaal-geheugenverlies.html ( i think there is also a subtitled version)

Pre-reading Wittgenstein, Chantal Mouffe Harvey.

Additional reading Aymeric Mansoux, How Deep is Your Source

Digital & Hybrid Publishing

Day: Wednesday; Guests: Pia, Florian - Wednesday

Florian Cramer - Off-line digital reading
Pia Pool - digital publishing for publishers

Pre-reading Katherine Hayles, Writing Machines (chapters 1,2,3) http://monoskop.org/images/b/bf/Hayles_N_Katherine_Writing_Machines.pdf Johanna Drucker, A Centruy of Artists Books: artists books as self-reflexive objects Johanna Drucker, Graphesis http://www.johannadrucker.com/pdf/graphesis_2011.pdf

Castrobot (talk) 22:05, 27 September 2015 (CEST) Wonders about this categories: At the moment I see 2 large areas: publishing and archive. Should documentation also be considered?

Structure

Each of the thematic's days could perhaps be organized, according to:

10:00 - 11:00 Reading list presentation and discussion. Aiming to prepared the ground for the presentations that will follow. Participants present (organized in groups) 2 or 3 of the titles from the reading list.
11:00 - 13:00 Guest presentations
14:00 - 17:00 Workshop - how to create the publication? We need to walk together through the material, the aim of the publication, the different necessary tasks:
- works: storing, describing classifying on the wiki
- publishing pipeline: getting the content from wiki into a publishable form
- front-end design: how the publishable output(s) will look like.
- communication and distribution

Films

(possible) William Raban - 72-82 (2014) http://www.acme.org.uk/commissions/williamrabanfilm - ask Andre for film. It is interesting use of archive material to portrait a space and time.

Reading list: key arguments

Hayles, Katherine. Writing Machines

Chapters: 1,2,3

the work being influenced by the materiality of its inscription technologies
artist's book and concrete poetry reflect upon and expose this influence of the inscription technologies. (22:05, 27 September 2015 (CEST) will also include some web art works - Jodi - or glitch art though the introduction of errors).

elaboration ideas:

how is the current writing inscription technologies affecting what is being written? Examples of this influence are clear in music the 3' song form that result form the duration of a side from a 78rpm record.
can the publication of works across multiple media, like in hybrid publishing, inhibit the dialog and reflection between work and inscription technology?

links to other texts:
- Lori Emmerson: the influence of writing interfaces - typewriter, computer terminal, ipad - on the text works produce with them.
- Johanna Drucker "A Centruy of Artists Books": artists books as self-reflexive objects
- Johanna Drucker "Graphesis": proposals for exploration of writing technologies - footnotes, taes of contents, referencing, etc - in digital and networked environments.

Talk:Thematic-Making It Public: Difference between revisions