User:Emily/Thematic Project/Trimester 02/04: Difference between revisions

Revision as of 09:38, 21 March 2015

My intro to physical book

This book was produced using images and texts (subtitles) taken from the Roman Polanski's film, “The Tenant”. The images and texts are extracted at moments when characters say the word "know", and then the frames and texts are reassembled into the form of book. Some of the pages are designed to be shorter than the rest, which provides the opportunity for the reader to read across pages, and at different intervals.

“The Tenant” is a psychological horror film directed by Roman Polanski. The main character, Trelkovsky, is confronted by a mental conflict after he moves into the new apartment. The relationships among himself and the other neighbours become weird. He undergoes a transformation, and becomes the previous tenant. In the end, he dresses up again as a woman and throws himself out the apartment window in the manner of the previous tenant, Simone. He ends up bandaged in the same fashion as Simone, in the same hospital bed. But we see Simone's close friend Stella and Trelkovsky visiting himself in the hospital.

I was obsessed by the whole transposing from one person’s life onto another and the mutative relationships among him and other tenants that we see through out the story. These transformations triggered the production of my book. Sampling all incidents through out the story, I juxtaposed all the dialogues containing the word "know". Each sentence that was extracted from the script became my re-constructed storyline, and altered the perception of events . I want to present an external way of reading the film with all the existing images and texts.

In 1920 the Surrealist poet André Breton wrote, "suggestive power of those arbitrary juxtapositions of words." I've come to embrace his idea, though it might be retooled as: "the suggestive power of the arbitrary juxtapositions of ."

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 This book was produced using images and texts (subtitles) taken from the Roman Polanski's film, “The Tenant”. The images and texts are extracted at moments when characters say the word "know", and then the frames and texts are reassembled into the form of book. Some of the pages are designed to be shorter than the rest, which provides the opportunity for the reader to read across pages, and at different intervals.
-“The Tenant” is a psychological horror film directed by Roman Polanski. The main character, Trelkovsky, is confronted by a mental conflict after he moves into the new apartment. The relationships among himself and the other neighbours become weird. He  undergoes a transformation, and becomes the previous tenant. In the end, he dresses up again as a woman and throws himself out the apartment window in the manner of the previous tenant, Simone. He ends up bandaged in the same fashion as Simone, in the same hospital bed. But we see Simon's close friend Stella and Trelkovsky visiting himself in the hospital.
+“The Tenant” is a psychological horror film directed by Roman Polanski. The main character, Trelkovsky, is confronted by a mental conflict after he moves into the new apartment. The relationships among himself and the other neighbours become weird. He  undergoes a transformation, and becomes the previous tenant. In the end, he dresses up again as a woman and throws himself out the apartment window in the manner of the previous tenant, Simone. He ends up bandaged in the same fashion as Simone, in the same hospital bed. But we see Simone's close friend Stella and Trelkovsky visiting himself in the hospital.
-I was obsessed by the whole transposing from one person’s life onto another and the altering relationships among him and other tenants that we see through out the story. These transformations triggered the production of my book. Sampling all incidents through out the story, I juxtaposed all the dialogues containing the word "know". Each sentence that was extracted from the script became my re-constructed storyline, and altered the perception of events . I want to present an external way of reading the film with all the existing images and texts.
+I was obsessed by the whole transposing from one person’s life onto another and the mutative relationships among him and other tenants that we see through out the story. These transformations triggered the production of my book. Sampling all incidents through out the story, I juxtaposed all the dialogues containing the word "know". Each sentence that was extracted from the script became my re-constructed storyline, and altered the perception of events . I want to present an external way of reading the film with all the existing images and texts.
 In 1920 the Surrealist poet André Breton wrote, "suggestive power of those arbitrary juxtapositions of words."  I've come to embrace his idea, though it might be retooled as: "the suggestive power of the arbitrary juxtapositions of ."