DEL? No, wait! REW: Difference between revisions
No edit summary |
No edit summary |
||
| Line 3: | Line 3: | ||
|Student=Michaela Lakova | |Student=Michaela Lakova | ||
|Featured image=File:TENT_Unlinked_12.jpg | |Featured image=File:TENT_Unlinked_12.jpg | ||
|Bio=Michaela Lakova(BG) takes a lost and found approach to media. Her field of research and practice involves catchy bits and bytes of errors, systems malfunction and the inevitable generation of data traces and its problematic resistance to deletion. | |Bio=Michaela Lakova(BG) is a visual artist who takes a lost and found approach to media. Her field of research and practice involves catchy bits and bytes of errors, systems malfunction and the inevitable generation of data traces and its problematic resistance to deletion. | ||
|URL=http://mlakova.org | |URL=http://mlakova.org | ||
}} | }} | ||
| Line 26: | Line 26: | ||
<h1>DEL?No, wait!REW installation</h1> | <h1>DEL?No, wait!REW installation</h1> | ||
DEL?No, wait!REW asks is it possible to delete information in the digital age? Whether our storage devices are locally present (hard drives) or dislocated | DEL?No, wait!REW asks is it possible to delete information in the digital age? Whether our storage devices are locally present (hard drives) or dislocated | ||
(the cloud), can we ever be certain our data has been permanently deleted? In the ongoing conversation around the impossibility of erasing digital traces, what role do we take? Are we plunderers, interpreters or mediators? | (the cloud), can we ever be certain our data has been permanently deleted? In the ongoing conversation around the impossibility of erasing digital traces, what role do we take? Are we plunderers, interpreters or mediators?<br> | ||
The automatized system you are witnessing recovers files from retrieved hard drives without the consent or the knowledge of the previous owners, who presume their content has been deleted.
You can now choose whether to delete them forever or save them by publishing them online. | The automatized system you are witnessing recovers files from retrieved hard drives without the consent or the knowledge of the previous owners, who presume their content has been deleted.
You can now choose whether to delete them forever or save them by publishing them online. | ||
[[File:Buttons.png|210px|left]] | |||
</div> | </div> | ||
<br> | |||
<br> | |||
<br> | |||
<br> | <br> | ||
<br> | <br> | ||
| Line 38: | Line 41: | ||
----- | ----- | ||
----- | ----- | ||
<div style=" | <div style=" | ||
color:black; | color:black; | ||
| Line 48: | Line 49: | ||
width:700px"> | width:700px"> | ||
<h1>Generative koplet</h1><br> | <h1>Generative koplet</h1><br> | ||
In an installation piece three CRT TVs are placed next to each other, displaying the Generative koplet videos#1,#2and 3 in a loop, forming an almost sculptural piece. | [[File:Proposal for SaraTimTrust.pdf|thumbnail|310px|right]] | ||
Two of the video works consist of textual and pictorial fragments of retrieved data from the hard drives. | [[File:B&w mn.png|thumbnail|300px|left| SaraTimTrust_museumNacht |In an installation piece three CRT TVs are placed next to each other, displaying the Generative koplet videos#1,#2and 3 in a loop, forming an almost sculptural piece. Two of the video works consist of textual and pictorial fragments of retrieved data from the hard drives. | ||
Generative_koplet#1 consists of an array of abstract visuals of various maps, cities and coordinates contrasted | Generative_koplet#1 consists of an array of abstract visuals of various maps, cities and coordinates contrasted | ||
by their generative black and white quality. | by their generative black and white quality.The soundtrack of the videos is a slightly distorted sound from a powered up and spinning hard drive recorded | ||
Generative_koplet#2 depicts a production line of workers in a factory disassembling pineapples in Ghana, | from the interior of the drive and drawing its presence into the physical world. Generative_koplet#2 depicts a production line of workers in a factory disassembling pineapples in Ghana, | ||
emotionless in their everyday routine and presented in a semi-documentary style. | emotionless in their everyday routine and presented in a semi-documentary style.]] | ||
Generative_koplet#3 serves as a behind-the-scenes view of the recovery process, where I positioned myself at the center, placing the hard drive into an ATA hard drive** case and running the recovery software documenting every step of mine. This meta-video provides an inside look into a common procedure of repetitive acts in an attempt to perform this rather trivial action. | <br> | ||
[[File:B&w Generative small copy.png|thumbnail|300px|left|Generative koplet#3|Generative_koplet#3 serves as a behind-the-scenes view of the recovery process, where I positioned myself at the center, placing the hard drive into an ATA hard drive** case and running the recovery software documenting every step of mine. This meta-video provides an inside look into a common procedure of repetitive acts in an attempt to perform this rather trivial action.]] | |||
----- | ----- | ||
***Videos --> [http://pzwart3.wdka.hro.nl/~mlakova/data_erasure/ HERE]--><br>[http://pzwart3.wdka.hro.nl/~mlakova/data_erasure/Generative_Koplet%231.mp4 Generative_Koplet#1.mp4][http://pzwart3.wdka.hro.nl/~mlakova/data_erasure/Generative_Koplet_2.mp4 Generative_Koplet#2.mp4][http://pzwart3.wdka.hro.nl/~mlakova/data_erasure/Generative_koplet%233.mp4 Generative_koplet#3.mp4]] | |||
***Videos --> [http://pzwart3.wdka.hro.nl/~mlakova/data_erasure/ HERE]--><br>[http://pzwart3.wdka.hro.nl/~mlakova/data_erasure/Generative_Koplet%231.mp4 Generative_Koplet#1.mp4][http://pzwart3.wdka.hro.nl/~mlakova/data_erasure/Generative_Koplet_2.mp4 Generative_Koplet#2.mp4][http://pzwart3.wdka.hro.nl/~mlakova/data_erasure/Generative_koplet%233.mp4 Generative_koplet#3.mp4] | |||
</div> | </div> | ||
<div style=" | <div style=" | ||
| Line 75: | Line 69: | ||
letter-spacing:0.2px; | letter-spacing:0.2px; | ||
width:1000px"> | width:1000px"> | ||
<h1> | <h1>Err_booklet</h1> | ||
[[File:Bookie.png|thumbnail|310px|left|The [Err] Booklet is a visual assemblage of found images from the mentioned hard drives, Internet materials related to the research topic and photographs I took during the process of writing the thesis. | [[File:Bookie.png|thumbnail|310px|left|The [Err] Booklet is a visual assemblage of found images from the mentioned hard drives, Internet materials related to the research topic and photographs I took during the process of writing the thesis. | ||
This booklet aims to trace back the process of data recovery, display and potentially erase lost and found artifacts of data. It is also a work log of personal thoughts, observations, concerns and frustrations, which surpasses the actual process. It archives and provides a visual essay, contextualizing the field of research.]][[File:In bookie.png|thumbnail|310px|right]] | This booklet aims to trace back the process of data recovery, display and potentially erase lost and found artifacts of data. It is also a work log of personal thoughts, observations, concerns and frustrations, which surpasses the actual process. It archives and provides a visual essay, contextualizing the field of research.]][[File:In bookie.png|thumbnail|310px|right|[Err] Booklet p9&p10]] | ||
------- | ------- | ||
</div> | </div> | ||
Revision as of 13:11, 20 June 2014
| Student | Michaela Lakova |
|---|---|
| Graduation Year | |
| Featured image | File:File:TENT Unlinked 12.jpg |
| Work Description | |
| Bio | Michaela Lakova(BG) is a visual artist who takes a lost and found approach to media. Her field of research and practice involves catchy bits and bytes of errors, systems malfunction and the inevitable generation of data traces and its problematic resistance to deletion. |
| URL | http://mlakova.org |
===============_ ?============== __ ___ __ __ ___ | \ |__ | _||__) |__ | | |__/ |___ |___ . | \ |___ |/\| ===============!_===============
DEL?No, wait!REW installation
DEL?No, wait!REW asks is it possible to delete information in the digital age? Whether our storage devices are locally present (hard drives) or dislocated
(the cloud), can we ever be certain our data has been permanently deleted? In the ongoing conversation around the impossibility of erasing digital traces, what role do we take? Are we plunderers, interpreters or mediators?
The automatized system you are witnessing recovers files from retrieved hard drives without the consent or the knowledge of the previous owners, who presume their content has been deleted.
You can now choose whether to delete them forever or save them by publishing them online.
Generative koplet
In an installation piece three CRT TVs are placed next to each other, displaying the Generative koplet videos#1,#2and 3 in a loop, forming an almost sculptural piece. Two of the video works consist of textual and pictorial fragments of retrieved data from the hard drives. Generative_koplet#1 consists of an array of abstract visuals of various maps, cities and coordinates contrasted by their generative black and white quality.The soundtrack of the videos is a slightly distorted sound from a powered up and spinning hard drive recorded from the interior of the drive and drawing its presence into the physical world. Generative_koplet#2 depicts a production line of workers in a factory disassembling pineapples in Ghana, emotionless in their everyday routine and presented in a semi-documentary style.
Generative_koplet#3 serves as a behind-the-scenes view of the recovery process, where I positioned myself at the center, placing the hard drive into an ATA hard drive** case and running the recovery software documenting every step of mine. This meta-video provides an inside look into a common procedure of repetitive acts in an attempt to perform this rather trivial action.
Err_booklet
The [Err] Booklet is a visual assemblage of found images from the mentioned hard drives, Internet materials related to the research topic and photographs I took during the process of writing the thesis. This booklet aims to trace back the process of data recovery, display and potentially erase lost and found artifacts of data. It is also a work log of personal thoughts, observations, concerns and frustrations, which surpasses the actual process. It archives and provides a visual essay, contextualizing the field of research.
