User:Max Dovey/theend24hrversion: Difference between revisions
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*This is a 5 minute sample of a 24 hour version of the song "The End' by Us Rock band The Doors. | *This is a 5 minute sample of a 24 hour version of the song "The End' by Us Rock band The Doors. | ||
*The 12-minute song has been slowed down and elongated to become a 24-hour audio piece | *The 12-minute song has been slowed down and elongated to become a 24-hour audio piece | ||
*I am interested in how timing can be mediated and experienced - a song made in 1967 has been re-appropriated throughout popular culture (e.g. the film ‘Apocalypse now’), | *I am interested in how timing can be mediated and experienced - a song made in 1967 has been re-appropriated throughout popular culture (e.g. the film ‘Apocalypse now’), | ||
to provide narrative conclusion and elevate the sense of finale. By slowing the piece down its structural climax plateaus into a endless horizon that accompanies | to provide narrative conclusion and elevate the sense of finale. By slowing the piece down its structural climax plateaus into a endless horizon that accompanies | ||
the linearity of time, suspending itself into a frozen conclusion | the linearity of time, suspending itself into a frozen conclusion | ||
Latest revision as of 16:33, 12 March 2014
- This is a 5 minute sample of a 24 hour version of the song "The End' by Us Rock band The Doors.
- The 12-minute song has been slowed down and elongated to become a 24-hour audio piece
- I am interested in how timing can be mediated and experienced - a song made in 1967 has been re-appropriated throughout popular culture (e.g. the film ‘Apocalypse now’),
to provide narrative conclusion and elevate the sense of finale. By slowing the piece down its structural climax plateaus into a endless horizon that accompanies the linearity of time, suspending itself into a frozen conclusion