VHS Animation Workshop: Difference between revisions
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[[File:VHS Workshop - Luisa.jpg]] | During the previous trimester I put together a VHS animation workshop in which participants were taught how to animate by cutting and pasting physical VHS tape: http://www.worm.org/home/view/event/6082 At the time I did not put too much emphasis on this in relation to my overall artistic practice, but I figured that this project had much more potential than a mere workshop could contain. The physical act of tape cutting allows for a different kind of montage that escapes those of classical cinema. Noise can become an integrated and esthetic part of the film montage. I am currently examining the potential of these parts and new creative cuts besides the horizontal and the vertical and putting together a script and sequence of material to work with in this process. | ||
[[File:VHS Workshop - Menno. | |||
[[File:VHS Workshop - Hannah.jpg]] | [[File:VHS Workshop - Luisa.jpg | 400px]] | ||
[[File:VHS Workshop - Henk-Jelle.jpg]] | [[File:VHS Workshop - Menno.jpg | 400px]] | ||
[[File:VHS Workshop - Sandra.jpg]] | [[File:VHS Workshop - Hannah.jpg | 400px]] | ||
[[File:VHS Workshop - Max.jpg]] | [[File:VHS Workshop - Henk-Jelle.jpg | 400px]] | ||
[[File:VHS Workshop - Lucia.jpg]] | [[File:VHS Workshop - Sandra.jpg| 400px]] | ||
[[File:VHS Workshop - Junyu.jpg]] | [[File:VHS Workshop - Max.jpg | 400px]] | ||
[[File:VHS Workshop - Ymke.jpg]] | [[File:VHS Workshop - Lucia.jpg | 400px]] | ||
[[File:VHS Workshop - Junyu.jpg | 400px]] | |||
[[File:VHS Workshop - Ymke.jpg | 400px]] |
Revision as of 15:06, 12 March 2014
During the previous trimester I put together a VHS animation workshop in which participants were taught how to animate by cutting and pasting physical VHS tape: http://www.worm.org/home/view/event/6082 At the time I did not put too much emphasis on this in relation to my overall artistic practice, but I figured that this project had much more potential than a mere workshop could contain. The physical act of tape cutting allows for a different kind of montage that escapes those of classical cinema. Noise can become an integrated and esthetic part of the film montage. I am currently examining the potential of these parts and new creative cuts besides the horizontal and the vertical and putting together a script and sequence of material to work with in this process.