Calendars:Networked Media Calendar/Networked Media Calendar/16-01-2014 -Event 5: Difference between revisions

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Using WORM's sound Studio (AKA SEM/Klangdum), as a working space - as it possess much of the same equipment and protocols one would find in a usual sound studio -, during these four session you will get to know the studio and become confident about using it on your own.
Using WDKA's and WORM's (AKA Klangdum) sound studios, as working spaces, you will get to know the basics to work in a sound studio and be ready to use it on your own.




We will go through the common equipment, procedures, and protocols, as well as this studio's own idiosyncrasies and  gems - its synthesizers! We will also delve into the music historical contexts in which some of these technologies and practices developed, such as Jamaican Dub, post-war European Avant-garde, and US and UK pop.  
We will go through the common equipment, procedures, and protocols, as well as each studios' idiosyncrasies and  gems. We will also delve into the music historical contexts in which some of these technologies and practices developed, such as Jamaican Dub, post-war European Avant-garde, and US and UK pop.  




These sessions are a follow-up of Stock's Sound and Narrative. You are invited to use the studio and its resources to expand your sonic pallet and compositional methods.  
These sessions are a follow-up of Stock's Sound and Narrative. You are invited to use the studios and its resources to expand your sonic pallet and compositional methods.  




[[Sound Narrative ]] - All info on the thematic project
[[Sound Narrative ]] - All info on the thematic project

Latest revision as of 18:22, 15 January 2014

Sound and Narrative: 15:00 - 19:00 @ The WdKA AV sound studio - BL 2.9b/c, a workshop with André Castro [day1 of 4]

Into the sound studio

A hands-on introduction to the analogue sound studio.


Using WDKA's and WORM's (AKA Klangdum) sound studios, as working spaces, you will get to know the basics to work in a sound studio and be ready to use it on your own.


We will go through the common equipment, procedures, and protocols, as well as each studios' idiosyncrasies and gems. We will also delve into the music historical contexts in which some of these technologies and practices developed, such as Jamaican Dub, post-war European Avant-garde, and US and UK pop.


These sessions are a follow-up of Stock's Sound and Narrative. You are invited to use the studios and its resources to expand your sonic pallet and compositional methods.


Sound Narrative - All info on the thematic project