Graduation Project Proposal Draft

Tentative Title

so far I only reach the point that I have some topic which interested me.

absent, noise. trace...

the trace as a evidence of exist. but the object or figure is absent.

key words those key words below indicate some possible form of technique or aesthetic i will use for my project.

 1,fragment, ambiguous

 2,perception sensation.

 3,lose sense of reality, overload,illusion delusion mediated reality…memories

 4,in between(both personal identity & physical location)

 5, langue meaning words playing speaking langue as a musical instrument.

my experiment of force to communicate in different langue(in the concision of don't understand each other ) for half an hour. the content and communication sometime fit sometimes totally different. what if own left with physical gesture and face expression. what we can read or understand out of it? what if the meaning of a peaking langue was taken away? we are so rely on the visual and langue. that's the main ability we have to perceive the world. if we under a condition that no long could rely those sense. then what will happened? the world will be different?

Introduction

A general introduction laying out your plan for your final project.

Be as specific as possible about the form you imagine the graduate project to take.

Describe the field you wish to research.

Identify key questions driving what you want to explore and how you will test these questions through practice.

Relation to previous practice

How does your research connect to previous projects you have done? Remember to briefly explain or describe related projects as the external is not familiar with your work.

It is useful to address the points raised by tutors in the feedback from your Self-assessment at the end of trimester 3 and to draw on your 'essay on method' written in trimester 3.

Relation to a larger context

Meaning practices or ideas that go beyond the scope of your personal work. Write briefly about other projects or theoretical material which share an affinity with your project. For example, if you are researching urban interventions, you might talk about Situationist approaches to psychogeography, urban tactical media and activist strategies of reclaiming the streets. Or, if you want to explore the way data is tracked, you might touch upon the politics of data mining by referencing concerns laid out by the Electronic Frontier or highlight theoretical questions raised by Wendy Chun or others. (Keep in mind that we are *not* expecting well formulated conclusions or persuasive arguments in the proposal phase. At this juncture, it's simply about showing an awareness of a broader context, which you will later build upon as your research progresses.)

Practical steps

Describe how you will go about conducting your research through reading, writing and practice. In other words, through a combination of these approaches, you will explore questions or interests you have laid out in your general introduction. In this section you can help us understand how your project will come together on a practical level and talk about possible outcome(s). Of course, the outcome(s) may change as your research evolves, but it's important to have some idea of how your project might come together as a whole.

References

(in order to keep it in mind, i will delete the text below after the my definite project proposal draft)

A list of references (Remember that dictionaries, encyclopedias and wikipedia are not references to be listed. These are starting points which should lead to more substantial texts and practices.) As with your previous essays, the references need to be formatted according to the Harvard method.) See: http://pzwart3.wdka.hro.nl/wiki/A_Guide_to_Essay_Writing#The_Harvard_System_of_referencing

Feel free to include any visual material to substantiate, illustrate or elucidate your proposal. For example use images to reference your work or that of others.

Reference:

Decasia

http://www.youtube.com/watch?v=jeEzb-0vf7A

Black Sun

http://www.garytarn.com/garytarn/black_sun_directors_notes.html

http://www.imdb.com/title/tt0478101/

Synchromy/ Norman McLaren, 1971, 7 min 27 s

http://www.nfb.ca/film/synchromy/

Film-as-Sculpture

http://www.wiels.org/en/exhibitions/471/Film-as-Sculpture

Takahiko iimura/Talking Picture(The Structure of Film Viewing)

http://www.youtube.com/watch?v=bhg8-L9TjCs

books & article

De Luce /Robert Grosseteste on light or the beginning of forms http://www.lumen.nu/rekveld/wp/?page_id=175

the origin of the term visual music

http://www.lumen.nu/rekveld/wp/?p=1105

darwin among the machines

http://www.lumen.nu/rekveld/wp/?p=1046

道德经 无 道与form,

Joost Rekveld review on film ‘Wu Ming’ by James Whitney

http://www.lumen.nu/rekveld/wp/?p=987

Cracked Media

Immersion Into Noise

Playing with Words The Spoken Word in Artistic Practice

Video Vortex 2

WEB VIDEO AND THE SCREEN AS A MEDIATOR AND GENERATOR OF REALITY ROBRECHT VANDERBEEKEN Playing with Words The Spoken Word in Artistic Practice

expended cinema

a voice and nothing more

Diary: A Stream of Consciousness that Blends Realities http://blog.telegraph21.com/2011/02/17/diary-a-stream-of-consciousness-that-blends-realities/