User:Andre Castro/2/Transmedial/spam transmedial: Difference between revisions
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=Examples= | =Plan= | ||
==the narratives described in spam, through their characters== | |||
Structure for the 2 hours | |||
* 15min introduction | |||
* 45min browsing the spam db and discussion of possible prototypes | |||
* 30min group list to ideas of participants | |||
* 30min prototype implementation or description of implementation; | |||
Work in pairs | |||
==Introduction== | |||
* Our interest in spam | |||
* Our motivation to run the workshop | |||
* the material(database): http://pzwart3.wdka.hro.nl/django/acastro/collect_spam/spam/ | |||
===Examples of possible publishing materials and strategies=== | |||
===the narratives described in spam, through their characters==== | |||
* As the same character might appear in a more than 1 one email | * As the same character might appear in a more than 1 one email | ||
* As characters are often actual living(or dead) characters | * As characters are often actual living(or dead) characters | ||
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Characters' profiles can be drawn in great detail. And they can be interconnected to those related to them (both in spam narratives and in real-life). Such well web of strong characters opens up the possibility for re-writing the narrative between this characters | Characters' profiles can be drawn in great detail. And they can be interconnected to those related to them (both in spam narratives and in real-life). Such well web of strong characters opens up the possibility for re-writing the narrative between this characters | ||
====questions==== | |||
===questions=== | |||
* what form to publish this network of characters so that their interconnections become apparent? | * what form to publish this network of characters so that their interconnections become apparent? | ||
* how does it allow expansion, speculation, for narratives to emerge from the vision of characters' relations? | * how does it allow expansion, speculation, for narratives to emerge from the vision of characters' relations? | ||
* could this be a final published object or it could be a intermediary to another publication. | * could this be a final published object or it could be a intermediary to another publication. | ||
===the formulistic nature of spam=== | |||
==the formulistic nature of spam== | |||
Spam's language and structure is quite identifiable. It reaffirms and repeats itself in almost every spam email. | Spam's language and structure is quite identifiable. It reaffirms and repeats itself in almost every spam email. | ||
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How could that aspect of this raw material manifest itself in a publication? | How could that aspect of this raw material manifest itself in a publication? | ||
What form would that publication take? Paper? Digital? Sound | What form would that publication take? Paper? Digital? Sound | ||
Revision as of 15:58, 20 January 2013
How to create writing and hybrid media publications from your junk mail folder.
Questions
- How can spam be re-published whiles maintaining its networked aspect?
- How can the characteristic elements of spam become apparent, when re-published?
- What publishing strategies allow for those 2 aspects to be present?
Expectations
What do we intend to get out of the workshop?
- new insights of what elements are specific to spam.
- concepts/prototypes for spam publishing
The workshop will cross-fade to Consent to Print, that will use it as the raw material to explore consensus/dissent based editorial practice.Question is what will Consent to Print use? The spam itself, or the strategies? How do you think to go on about it?
Plan
Structure for the 2 hours
- 15min introduction
- 45min browsing the spam db and discussion of possible prototypes
- 30min group list to ideas of participants
- 30min prototype implementation or description of implementation;
Work in pairs
Introduction
- Our interest in spam
- Our motivation to run the workshop
- the material(database): http://pzwart3.wdka.hro.nl/django/acastro/collect_spam/spam/
Examples of possible publishing materials and strategies
the narratives described in spam, through their characters=
- As the same character might appear in a more than 1 one email
- As characters are often actual living(or dead) characters
- As they are often famous and with a large presence in the media
- They are related to other characters outside the spam narratives
Characters' profiles can be drawn in great detail. And they can be interconnected to those related to them (both in spam narratives and in real-life). Such well web of strong characters opens up the possibility for re-writing the narrative between this characters
questions
- what form to publish this network of characters so that their interconnections become apparent?
- how does it allow expansion, speculation, for narratives to emerge from the vision of characters' relations?
- could this be a final published object or it could be a intermediary to another publication.
the formulistic nature of spam
Spam's language and structure is quite identifiable. It reaffirms and repeats itself in almost every spam email.
With All Due Respect My name is morgan ashante am the manager of auditing and accounting department International commercial bank
I pray this proposal meet your kind co-operation. I am Mr. Mphilo Dlamini, the service Director/ Account Unit of First National Bank of South Africa.
My name is Mrs.Sonia Murphy am the manager of auditing and accounting department International commercial bank
My Name is Mrs.Janet Andrea. I am a dying woman who has decided to donate all that I have to charity through you.
My Name is Mr. Peter i am writing you this short note based on the latest development at my bank
What could be a publishing solution that would put a focus on this formulistic aspect o spam?
- create head-body-and-legs with these sentences
Take a look at the spam emails collected at http://pzwart3.wdka.hro.nl/django/acastro/collect_spam/spam/
See if there is something there that arouses your interest. How could that aspect of this raw material manifest itself in a publication? What form would that publication take? Paper? Digital? Sound