User:Eleanorg/2.1/Artworks: Difference between revisions

Revision as of 18:03, 7 December 2012

Influences for graduation project. See also Works I've Enjoyed.

Democratic curation

'The Piracy Project' by AND Publishing

Making digital issues physical. Non-overly hierarchical way of bringing together a collection of autonomous works.

Dead Drops (2011-), Aram Bartholl, http://deaddrops.com/

Another offline network, taking 'digital' into physical space & inviting strangers to take risks together

Collaborative authoring

EpicPedia (2008), Annemieke van der Hoek, http://www.epicpedia.org/

re-performs collaborative editing. A nice treatment to make sense of the history of collaborative texts

Web to Print

Amplifying the Other

Vitruvian Paint Machine (2009) by Conditional Design http://conditionaldesign.org/workshops/vitruvian-paint-machine/

Artist experiments with surrendering control to the Other; becomes 'programmable' << opens up links between computers (commands) and social power/instruction

Skin (2003), Shelley Jackson, http://ineradicablestain.com/skin-video.html

The aesthetic of a distributed network, taken offline & entirely relying on the living body.Frustrating lack of documentation of the original work; this video is a remix.

ExtInked, UHC Collective http://www.uhc.org.uk/portfolio.php?tag=13&project=54

Beautiful use of volunteers in ritual-like format; demands long-term commitment; participants are 'witnesses not spectators' a la Etchells

@@ Line 19: / Line 19: @@
 * Skin (2003), Shelley Jackson, http://ineradicablestain.com/skin-video.html
 :: The aesthetic of a distributed network, taken offline & entirely relying on the living body.Frustrating lack of documentation of the original work; this video is a remix.
+* ExtInked, UHC Collective http://www.uhc.org.uk/portfolio.php?tag=13&project=54
+:: Beautiful use of volunteers in ritual-like format; demands long-term commitment; participants are 'witnesses not spectators' a la Etchells
 ===Co-ordination of a crowd===