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Revision as of 19:33, 25 March 2025
What do i want to talk about for this assessment? What have I done in the last 2 special Issues?
Special Issue 25
Got super overwhelmed from the new technical stuff I had to catch up with
Radio Shows
- SI25 Broadcast 8: Lost Music
- Nostalgia
- Social Dynamics
- Vulnerability
- Contextual consumption of media
- Physical Copies of media
- SI25 Broadcast 6: Protocol to Free Britney
- pop culture
- Copyright, licensing, bootlegging, sample culture
- Oral Tradition VS Capitalism
- Soundboard
- SI25 Broadcast 12: Final Wrap
- Fake scripting
- Class meeting content
- Social Dynamics in a given and finished group
Class Meeting Structure
While organizing the event (and even before that during Methods classes for instance), one of the main issues we faced as a group was communication. How do we communicate efficiently? How do we make sure everyone's opinion is heard?
Sound of Marmelade
PR Team
Post-Production team
A team was made after the Special Issue 25 event to try and regroup all the content of the radio shows, reflexions that happened, content used and so on. We used the wiki API to get all the content from the radio show pages
- Still working on the Special Issue 25 Website
Special Issue 26
3DS Zine
Hypervisual Superzine
Accreditation Sidequest
Knitting and Matrix Printer
Side Stuff
The Question List
General Ideas
- I love to knit.
- How do I mix XPUB practices with manual crafting?
- Knitting is basically bitmap or binary code.
- How to make that work together?
I already knew I wanted to work on something more manual and crafty coming here, especially on some more forgotten craft, invisible labour, etc..
Since I started knitting semi-recently, I thought that it would make sense for me to find a way to connect XPUB and knitting, because first, why not? and second, because it will keep me motivated in both sectors. Now, the difficulty lies in finding a way to have a more curated and unique approach of the topic(s), since knitting isn't exactly a recent invention, and nor are knitting machine and punch cards programming.
Punch Cards and Intarsia
Data punch cards as knitting charts, for coding messages. Using the Star SG-10 fonts charts as intarsia knitting charts? → File:Star-SG-10.pdf
That's what I made out of it! I had to make the grid 10x18 instead of 5x9 to acomodate for the half pins of the Star SG-10 matrix printer!
Idea for making 5x9 grid knitting chart:
make a clickable grid + a screenshot button
Code inspirations:
grid: app.js ??→https://codesandbox.io/p/sandbox/clickable-grid-forked-pm9lxq
screenshot: https://html2canvas.hertzen.com/
Knitting Chart Semi-Generator:
exp-1 : https://hub.xpub.nl/cerealbox/~aksellr/knitting/knit-exp-1/test-1.htmlneed to use a grid of 10x18 instead of 5x9
**I need to check what Eleni did for one of the 3DS dungeon room!!**
Fonts?
I'm still at core a graphic designer who loves fonts, pixel fonts, grid fonts, any fun fonts. I went back to the old sketchbooks and found those, and I think I can definitely knit those!
I also sketched those during class at some point, and it got me into making a new vectorised inktrap font, so maybe this is also usable:
This is not knittable in that state, but pixel drawing brought me to wanting to go back to font designing, so I thought it was worth mentioning at some point during that presentation.
Knitting influences the way I work in graphic design in 2 ways:
- Since knitting only requires minimum "assets", like 2 stitches, yarn, and needles, I started having a more minimalistic approach for the was I design. You can make thousands of different sweaters using those same assets, and they can be as intricate or as simple as you'd want.
- You can change some parameters to add more complexity, but it's not always necessary.
Using Old Sketchbooks and Pixel Art:
Technical issues with intarsia, but we're getting somewhere I guess.
I recently started working on some pixel art/drawing again, either using pen and paper and tiny notebooks, but also using Aseprite. I used one of my old sketch to practice intarsia on a vest I was knitting, and though not perfect, the result is actually pretty fun!
References:
Vera Van de Seyp https://veravandeseyp.com/
Stephanie Vilayphiou https://monoskop.org/St%C3%A9phanie_Vilayphiou
Patterns
Patterns are like script, as they're a way of describing how to build a complex 3D garment using only a few lines of text. Some are very straight foward and technical and assume you know all the basics already, and some are more conversational and explain all the steps. You define variables at the top, such as the needle sizes, the type of stitches, the weight of the yarn, and then the process is described under it!
Keeping my patterns here. Most of them are not free, but free to use for XPUB since I put them here I guess.
Oversized Knited Flat sweater (ENG) → Knitted Flat Sweater
Measurements are kind of off, the length of the front and back panels is super super long, so it gives a very weird fit
Oversize Raglan Sweater (FR) → Raglan Sweater n°9 by My Favorite Things Knitwear
Favorite Raglan Pattern so far, the fit is great. I could've gone down a needle size, bit it makes it extra cosy
Oversize V-Neck Vest (ENG) → V-neck vest/slippover n°2 by My Favorite Things Knitwear
In progress → A lot of panelling, so be prepare to knit flat a lot! I added a little bit of antarsia at the bottom/back of the vest
Notes
In relation to ascii? Bitmapping?