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===<div style= "color:#b6789d";>Introduction</div>===
===<div style= "color:#b6789d";>Introduction</div>===


I want to explore the connection between cyberfeminism, the concept and aesthetics of cyborgs, and Taiwan/Asian queer communities. Within the cyborg concept, there’s a focus on non-binary opposition and the ambiguity of identity and boundaries. Queer/non-binary individuals, like cyborgs, liberate gender, break free from binary-centered opposition, and actively embrace a future of diversity, heterogeneity, and hybrid identities.  
I want to examine the connection between cyberfeminism, the aesthetics of cyborg, and Taiwan/Asian queer communities.  
Within the cyborg concept, there’s a focus on non-binary opposition and the ambiguity of identity and boundaries. Queer and non-binary people, liberate gender, break free from binary-centered opposition, and actively embrace a future of diversity, heterogeneity, and hybrid identities. Moreover, I am interested in exploring cyberfeminism within an Asian context.
Modern queer and gender spectrums have already broken down the traditional binary concept of gender; could there be even more possibilities? Do we still need this or similar myths and metaphors?


Additionally, I want to share my personal perspectives and experiences as a non-binary queer Asian, living in both Taiwan and the Netherlands. I will also collect stories from others within these communities to build a broader understanding.
===<div style= "color:#b6789d";>❣ Chapter I. Cyborg Aesthetics and Queer Identity</div>===


In this chapter I want to explore how cyborg,cyberfeminsim aesthetic enhance the understanding of queer and non-binary identites, particularly in Asia contexts.


===<div style= "color:#b6789d";>❣ Chapter I.</div>===
* How do artistic representations (e.g., fashion, wearable tech, performance art) visualize and express queer experiences through the cyborg?


⭑ The Cyborg Manifesto has opened a door to cyberfeminism, and I am interested in exploring cyberfeminism within an Asian context. Modern queer and gender spectrums have already broken down the traditional binary concept of gender; could there be even more possibilities? Do we still need this or similar myths and metaphors?
* Could certain materials (e.g., metal, fabric, recycled objects) or digital elements connect to the regenerate and self-healing parts of cyborg concept ?


⭑ What are the unique perspectives, experiences, and challenges faced by non-binary Asians living in Taiwan and the Netherlands?
* How have cyborg aesthetics been interpreted in the works of Asian queer artists (e.g., Betty Apple, Shu Lea Cheang)? How do they transform cyberfeminism and cyborgs to reflect local cultural narratives (e.g., myths, folklore, or traditional symbols)?


⭑ Why is it so important for me to delve into these issues? How are these topics personally significant, and what is the relationship between them and my own identity?
===<div style= "color:#b6789d";>❣ Chapter II. Stories from the Asian queer communities </div>===


===<div style= "color:#b6789d";>❣ Chapter II.</div>===
I will collect stories from others within these communities to build a broader understanding.


* What are the unique perspectives, experiences, and challenges faced by non-binary Asians living in the Western?
* What are the parallels between feminist and queer struggles against systems of control (e.g., patriarchy, capitalism, and heteronormativity) within the Taiwanese or Asian context?
===<div style= "color:#b6789d";>❣ Chapter III. Reflection</div>===
Explore the relation between my research and practice, linking to the projects.


===<div style= "color:#b6789d";>❣ Chapter III.</div>===


===<div style= "color:#b6789d";>Reference</div>===
===<div style= "color:#b6789d";>Reference</div>===

Revision as of 21:52, 18 November 2024

・゜゚・:.。..。.:*・'𝓣𝓱𝓮𝓼𝓲𝓼 𝓞𝓾𝓽𝓵𝓲𝓷𝓮 ᶘ ᵒᴥᵒᶅ'・*:.。. .。.:*・゜゚・*🥀🩸

Introduction

I want to examine the connection between cyberfeminism, the aesthetics of cyborg, and Taiwan/Asian queer communities. Within the cyborg concept, there’s a focus on non-binary opposition and the ambiguity of identity and boundaries. Queer and non-binary people, liberate gender, break free from binary-centered opposition, and actively embrace a future of diversity, heterogeneity, and hybrid identities. Moreover, I am interested in exploring cyberfeminism within an Asian context. Modern queer and gender spectrums have already broken down the traditional binary concept of gender; could there be even more possibilities? Do we still need this or similar myths and metaphors?

❣ Chapter I. Cyborg Aesthetics and Queer Identity

In this chapter I want to explore how cyborg,cyberfeminsim aesthetic enhance the understanding of queer and non-binary identites, particularly in Asia contexts.

  • How do artistic representations (e.g., fashion, wearable tech, performance art) visualize and express queer experiences through the cyborg?
  • Could certain materials (e.g., metal, fabric, recycled objects) or digital elements connect to the regenerate and self-healing parts of cyborg concept ?
  • How have cyborg aesthetics been interpreted in the works of Asian queer artists (e.g., Betty Apple, Shu Lea Cheang)? How do they transform cyberfeminism and cyborgs to reflect local cultural narratives (e.g., myths, folklore, or traditional symbols)?

❣ Chapter II. Stories from the Asian queer communities

I will collect stories from others within these communities to build a broader understanding.

  • What are the unique perspectives, experiences, and challenges faced by non-binary Asians living in the Western?
  • What are the parallels between feminist and queer struggles against systems of control (e.g., patriarchy, capitalism, and heteronormativity) within the Taiwanese or Asian context?

❣ Chapter III. Reflection

Explore the relation between my research and practice, linking to the projects.


Reference