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</div>[[File:DOG copy.jpg|thumb|'''Charlie M.'''They/them β˜† β™’οΈŽ β˜† [[/I β™₯ Dogs|I β™₯ Dogs]]]]
</div>[[File:DOG copy.jpg|thumb|'''Charlie M.'''They/them β˜† β™’οΈŽ β˜† [[/I β™₯ Dogs|I β™₯ Dogs]]]]


==(𓁺𓂏𓁺) about==
==(𓁺𓂏𓁺)==
β‹˜ π‘™π‘œπ‘Žπ‘‘π‘–π‘›π‘” π‘‘π‘Žπ‘‘π‘Ž...β‹™
β‹˜ π‘™π‘œπ‘Žπ‘‘π‘–π‘›π‘” π‘‘π‘Žπ‘‘π‘Ž...β‹™


== Special Issueβš˜β„–25 - Diary✎ ==
== Special Issueβš˜β„–25 - Diary✎ ==
=== Week β“ͺ ===
β‹˜ π‘™π‘œπ‘Žπ‘‘π‘–π‘›π‘” π‘‘π‘Žπ‘‘π‘Ž...β‹™
=== Week β‘  ===
β‹˜ π‘™π‘œπ‘Žπ‘‘π‘–π‘›π‘” π‘‘π‘Žπ‘‘π‘Ž...β‹™
=== Week β‘‘ ===
β‹˜ π‘™π‘œπ‘Žπ‘‘π‘–π‘›π‘” π‘‘π‘Žπ‘‘π‘Ž...β‹™
=== Week β‘’ ===
β‹˜ π‘™π‘œπ‘Žπ‘‘π‘–π‘›π‘” π‘‘π‘Žπ‘‘π‘Ž...β‹™
=== Week β‘£ ===
β‹˜ π‘™π‘œπ‘Žπ‘‘π‘–π‘›π‘” π‘‘π‘Žπ‘‘π‘Ž...β‹™
=== Week β‘€ ===
β‹˜ π‘™π‘œπ‘Žπ‘‘π‘–π‘›π‘” π‘‘π‘Žπ‘‘π‘Ž...β‹™
=== Week β‘₯ ===
β‹˜ π‘™π‘œπ‘Žπ‘‘π‘–π‘›π‘” π‘‘π‘Žπ‘‘π‘Ž...β‹™
=== Week ⑦ ===
β‹˜ π‘™π‘œπ‘Žπ‘‘π‘–π‘›π‘” π‘‘π‘Žπ‘‘π‘Ž...β‹™
=== Week ⑧ ===
β‹˜ π‘™π‘œπ‘Žπ‘‘π‘–π‘›π‘” π‘‘π‘Žπ‘‘π‘Ž...β‹™
=== Week ⑨ ===
β‹˜ π‘™π‘œπ‘Žπ‘‘π‘–π‘›π‘” π‘‘π‘Žπ‘‘π‘Ž...β‹™
=== Week β‘ β“ͺ ===
β‹˜ π‘™π‘œπ‘Žπ‘‘π‘–π‘›π‘” π‘‘π‘Žπ‘‘π‘Ž...β‹™
=== Week β‘ β‘  ===
β‹˜ π‘™π‘œπ‘Žπ‘‘π‘–π‘›π‘” π‘‘π‘Žπ‘‘π‘Ž...β‹™
=== Week β‘ β‘‘ ===
β‹˜ π‘™π‘œπ‘Žπ‘‘π‘–π‘›π‘” π‘‘π‘Žπ‘‘π‘Ž...β‹™


==[[Charlie/FieldRecording|𝄆 π„ž ♩♬ Recordings ♩♬ 𝄇]]==
==[[Charlie/FieldRecording|𝄆 π„ž ♩♬ Recordings ♩♬ 𝄇]]==

Revision as of 11:40, 12 November 2024

Scenery edited long.jpg
Charlie M.They/them β˜† β™’οΈŽ β˜† I β™₯ Dogs

(𓁺𓂏𓁺)

β‹˜ π‘™π‘œπ‘Žπ‘‘π‘–π‘›π‘” π‘‘π‘Žπ‘‘π‘Ž...β‹™

Special Issueβš˜β„–25 - Diary✎

Week β“ͺ

β‹˜ π‘™π‘œπ‘Žπ‘‘π‘–π‘›π‘” π‘‘π‘Žπ‘‘π‘Ž...β‹™

Week β‘ 

β‹˜ π‘™π‘œπ‘Žπ‘‘π‘–π‘›π‘” π‘‘π‘Žπ‘‘π‘Ž...β‹™

Week β‘‘

β‹˜ π‘™π‘œπ‘Žπ‘‘π‘–π‘›π‘” π‘‘π‘Žπ‘‘π‘Ž...β‹™

Week β‘’

β‹˜ π‘™π‘œπ‘Žπ‘‘π‘–π‘›π‘” π‘‘π‘Žπ‘‘π‘Ž...β‹™

Week β‘£

β‹˜ π‘™π‘œπ‘Žπ‘‘π‘–π‘›π‘” π‘‘π‘Žπ‘‘π‘Ž...β‹™

Week β‘€

β‹˜ π‘™π‘œπ‘Žπ‘‘π‘–π‘›π‘” π‘‘π‘Žπ‘‘π‘Ž...β‹™

Week β‘₯

β‹˜ π‘™π‘œπ‘Žπ‘‘π‘–π‘›π‘” π‘‘π‘Žπ‘‘π‘Ž...β‹™

Week ⑦

β‹˜ π‘™π‘œπ‘Žπ‘‘π‘–π‘›π‘” π‘‘π‘Žπ‘‘π‘Ž...β‹™

Week ⑧

β‹˜ π‘™π‘œπ‘Žπ‘‘π‘–π‘›π‘” π‘‘π‘Žπ‘‘π‘Ž...β‹™

Week ⑨

β‹˜ π‘™π‘œπ‘Žπ‘‘π‘–π‘›π‘” π‘‘π‘Žπ‘‘π‘Ž...β‹™

Week β‘ β“ͺ

β‹˜ π‘™π‘œπ‘Žπ‘‘π‘–π‘›π‘” π‘‘π‘Žπ‘‘π‘Ž...β‹™

Week β‘ β‘ 

β‹˜ π‘™π‘œπ‘Žπ‘‘π‘–π‘›π‘” π‘‘π‘Žπ‘‘π‘Ž...β‹™

Week β‘ β‘‘

β‹˜ π‘™π‘œπ‘Žπ‘‘π‘–π‘›π‘” π‘‘π‘Žπ‘‘π‘Ž...β‹™

𝄆 π„ž ♩♬ Recordings ♩♬ 𝄇

Fieldrecording w/ Radio Aporee

St. Lawrence Church in Diekirch, Luxembourg

Location: Eglise DΓ©canale Diekirch, 9279 Diekirch, Luxembourg. - diekirch, church, bells

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Meta Data

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Memory

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Audio Mix

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β™« Song:- 1 Hour of Chad Orthodox Chants to Redeem Your Soul β™«

Radio Delivery βœ‰ The tupperstring instrument recording

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My thoughts on Rotterdam:

For five years, I have been calling this city my home. For five years, I have tried to make peace with the rain, and the wind, and the cold. In vain.

Sound experiments

A collection of sound experiments using different tools and software.

Signal


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β“β“˜β“”β“’β“›β“”β“’β“’β“—β“£

Welcome to my, Charlie's, Lieslescht ☺. A repository for reading, writing, annotations, and more.

A brief overview

As of writing this list, the realms of my interest in research and reading are as follows:

Topics - & anywhere these intersect:

  • Folklore
  • History/Art-history
  • Occultism
  • Social Sciences
  • Politics

Bookshelf

Books

Some books

Comics

Some comics

Zines

Some zines

Other

Some other

Reading List

A selection of stuff I have read, am reading and want to read. Which may or may not influence my research. (To be updated sporadically..)

Books

Title Description Author Status
Farseer Trilogy [..] Set in and around the fictional realm of the Six Duchies, it tells the story of FitzChivalry Farseer (known as Fitz), an illegitimate son of a prince who is trained as an assassin. Political machinations within the royal family threaten his life, and the kingdom is beset by naval raids.[..] [1] Robin Hobb #2 Assassin's Apprenticeβœ“

#2 Royal Assassin βœ“ #3 Assassin's Quest βœ“

Adjusted Margin:

Xerography, Art, and Activism in the Late Twentieth Century

This is the story of how the xerographic copier, or β€œXerox machine,” became a creative medium for artists and activists during the last few decades of the twentieth century.[..] [2] Kate Eichhorn Almost through..

Texts

Title Description Author Stat Annotations
All Problems of Notation Will be Solved by

the Masses: Free Open Form Performance,

Free/Libre Open Source Software,

and Distributive Practice

Simon Yuill's text entangles stories of artistic practices and experimental projects, such as the Scratch Orchestra, Black ArtistsΒ’ Group, livecoding, and Logo Labs, as well as a story of UNIX and FLOSS to provide routes out of the contemporary dilemma of the Β‘capitalisation of creativityΒ’. [..] [3] Simon Yuill βœ“βœ“ (..)
The Tyranny Of Structurlessness "The Tyranny of Structurelessness" is an essay by American feminist Jo Freeman that concerns power relations within radical feminist collectives. The essay, inspired by Freeman's experiences in a 1960s women's liberation group, reflected on the feminist movement's experiments in resisting leadership hierarchy and structured division of labor. [..] [4] Jo Freeman βœ“ (..)
George Perec's Thinking Machine David Bellos (..)

⚠ In progress ⚠

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