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Revision as of 14:28, 28 September 2024
Women, Trans and Non-Binary in Experimental Music
Fanny Chiarello
From the chapter 3. Rec
-
A list of names mentioned:
- Beatriz Ferreyra
- Kate Carr
- Hybrid Soundscapes: Recording Ecotones + Edge Effects
- disrupt notion of authenticity (fictions of sound effects)
- "A soundscape reveals a lot about a place ... its openness and fragility the soundscape can reveal something about the process of community making ... its sensitivity to change offers both, opportunities and risks"
- Vanessa Rosetto
- "she strives to reveal the network of narrative threads that underlie everyday life"
- "sourced by existing in the world"
- Jana Winderen
- Hildegard Westerkamp
- Helena Gough
- Felicia Atkinson
- "My studio is Nomadic and swallows the landscape it crosses."
- "I use machines in an empirical way."
- Berangere Maximin
- Izabela Dłużyk
- Ecka Mordecai
- Karen Vogt
- Karen Gwyer
- Martyna Basta
- Ellen Band
- "We are suddenly reminded of the physical and vibratory reality of objects, so well known that we never take their pulse."
- Gaël Segalen
- SoS Gunver Ryberg
- Andy Guthrie
- Dali de Saint Paul
- Nour Mobarak
- Nyokabi Kariuki
(Why) Labels:
- Can adopting label mean a guarantee within elitist music landscape?
- does label allow women composers to escape suspicion for amateurism and illegitimacy?
- diversity of forms invented by these women composers is measured in dogma ("as if creation had something to do with a nomenclature decided by a handful of white men in suits")
7 Types of Field Recording (fr):
- Additive Free fr
- Instrument fr (recorded fragment of reality becomes layer among others)
- Material fr (sound is modified, music arises from layering with others)