User:Kim/reading/Problems of Notation: Difference between revisions

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=== Livecoding Aesthetics ===
=== Livecoding Aesthetics ===
*  
* production is 'live' and living
* workshops / pedagogic aspect important
 
=== Hacklabs + Hackmeets ===
* First Hacklabs developed in Europe - emerging from squatting movements
* FLOSS + Hacklabs share principle of 'enabling the possibility of production by others'




[https://dspace.mit.edu/bitstream/handle/1721.1/6086/AIM-239.pdf HAKMEM]
[https://dspace.mit.edu/bitstream/handle/1721.1/6086/AIM-239.pdf HAKMEM]
[https://www.are.na/block/28634508 Tortoises?]
[https://www.are.na/block/28634508 Tortoises?]

Revision as of 17:22, 15 September 2024

All Problems of Notation Will be Solved by the Masses: Free Open Form Performance, Free/Libre Open Source Software, and Distributive Practice

Simon Yuill

  • recent valorization of 'collaboration' omits basic condition of collaboration - that all forms of production ultimately rely on various degrees and arrangements
  • 'collaboration' becomes commodified (art, consumer as worker)
  • can FLOSS (Free/Libre Open Source Software) counteract?
  • problems with FLOSS:
    • issue of collaboration and legislation (and how these relate to medium code)
    • FLOSS emerging cultural practices fail to relate to outside (non-FLOSS art/ culture)
      • these practices are not collaborative but distributive
  • article outlines relation between notational production and distributive practice

Livecoding

  • embodies FLOSS key principles (code - algorithms - music)
  1. continual re-writing of code as primary mode of artistic production
  2. presentation of the work as open ended, mutable rather than static artefact

Livecoding Aesthetics

  • production is 'live' and living
  • workshops / pedagogic aspect important

Hacklabs + Hackmeets

  • First Hacklabs developed in Europe - emerging from squatting movements
  • FLOSS + Hacklabs share principle of 'enabling the possibility of production by others'


HAKMEM Tortoises?