TO MY MOTHERLAND: Difference between revisions
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Explore - way(s) to blur the boundaries between '''SPIRITUALITY''' and (printing) '''TECHNOLOGY.''' | Explore - way(s) to blur the boundaries between '''SPIRITUALITY''' and (printing) '''TECHNOLOGY.''' | ||
The flipbooks offer a glimpse into the process of wrapping a tree with colorful mesh(01), while also providing a hands-on experience of touching the rough bark(02). Printed using the Risograph technique, the tactile pages of the flipbooks invite the audience to join in on the spiritual journey by rubbing them to reveal a lucky number. This interactive element encourages engagement with the material and deepens the connection between the viewer and the artwork.[[File:Flipbook.jpg|frameless|361x361px]] | The flipbooks offer a glimpse into the process of wrapping a tree with colorful mesh(01), while also providing a hands-on experience of touching the rough bark(02). Printed using the Risograph technique, the tactile pages of the flipbooks invite the audience to join in on the spiritual journey by rubbing them to reveal a lucky number. This interactive element encourages engagement with the material and deepens the connection between the viewer and the artwork. | ||
[[File:Flipbook.jpg|frameless|361x361px]] | |||
[[File:Finger.jpg|frameless|362x362px]] | [[File:Finger.jpg|frameless|362x362px]] |
Revision as of 20:49, 4 May 2023
The Holy Tree Flipbook
Explore - way(s) to blur the boundaries between SPIRITUALITY and (printing) TECHNOLOGY.
The flipbooks offer a glimpse into the process of wrapping a tree with colorful mesh(01), while also providing a hands-on experience of touching the rough bark(02). Printed using the Risograph technique, the tactile pages of the flipbooks invite the audience to join in on the spiritual journey by rubbing them to reveal a lucky number. This interactive element encourages engagement with the material and deepens the connection between the viewer and the artwork.