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----Remake Douglas Gordon's 24 Hours Psycho (1993) using Gus van Sant's remake (1998) of Alfred Hitchcock's original Psycho (1960). | ----Remake Douglas Gordon's 24 Hours Psycho (1993) using Gus van Sant's remake (1998) of Alfred Hitchcock's original Psycho (1960). | ||
An excerpt only, the shower scene | |||
----SCHERM LCD | ----SCHERM LCD | ||
----American Film Production Companies, 0-9, A-Z | ----American Film Production Companies, 0-9, A-Z |
Revision as of 15:44, 2 March 2023
notes for/on future video projects
(write them down for now - when I actually start working on one of them, I will make a specific page)
Dubai Dispositif (re-edit)
Pure theory
https://en.wikipedia.org/wiki/VTOL
https://shop.cmgraficasrl.it/prodotto/libro-test/
https://hal.science/hal-01192627/
pure theory / mere nature-practice
mere theory / pure pratice-nature
LOST LOST LOST LOST / LOST LOTS LTOS LSOT
wholegrain
(Paul Sharits’ Axiomatic Granularity )
Layouts series
draw basic structure/layouts/interface of webpages - grey simplified shapes (just variations of rectangles?) on white background - photoshop? or maybe with tracing paper on screen
24x1x24
select 24 random, unrelated images (with the same look-vibe-quality - probably some sort of amateur digital photographs) - or a 1 (or 24 second) 24 fps found video
-
i want them to be images as images, nothing more than that
-
play around with the basic structure of moving images / cinema - 1 unit of time (1 second) is the sum of 24 unrelated images projected on a white/black screen - 24 seconds of video is 24 frames x 1 second x 24 seconds
elements:
24 images
black screen
white screen
1 second
frame counter
timecode - timer
counter delle immagini - ogni clip ha il suo numero 1-24
e.g.
24 images in 1 second - every possible order of these 24 images
24 images, every image for 1 second
1 image for 1/24s every 24 seconds
...
play with these structure/elements, make it evident / if I use 24 second video it might become a super long piece. might be interesting though.
(might result a bit too close to structuralist filmmaking - but worth a try)
https://www.youtube.com/watch?v=NjM_tqrGxzI
https://commons.wikimedia.org/wiki/Template:Potd/2022-12
https://www.youtube.com/watch?v=4vnFcwp5pgw&list=WL&index=1
lumiere train arriving in the station reference as one of the iconic moment of early cinema? (arrived d'un train a la Gare de la ciotat) - variations on
lumiere train arriving in the station reference as one of the iconic moment of early cinema? (arrived d'un train a la Gare de la ciotat) - variations on -
reference to that precise breakthrough - literally - moment of cinema filtered through digital culture, home video, internet sharing, dissemination of images
make a loose reference
24 different train footage, 1 frame from each, to make a 1 second 24fps sequence
play with perception of time - space - fictional time and space - with the structure of moving image - 24 unrelated images per seconds, similar but different in time and space
"beatmatch" train spotters footage with lumiere's film
1 sec when the train hits the left side of the frame
e come se tuttas la gente sulla banchina dei lumiere avesse preso in mano una camera e si fosse messa ognuna a filmare l'arrivo del proprio treno nella propria città
https://mubi.com/it/films/train-again. (altra reference?)
https://www.li-ma.nl/lima/catalogue/art/michiel-van-bakel/equestrian-monitorversie/7585
Video is a ve---ry practical material
In case of necessity please break
Series/Compilation of of short loops made of pixelated screen banding of low resolution versions of early avantgarde films (richter, ruttman ...) - possible workflow: film them playing on a LED screen, make the loops in davinci, print them back on 16mm film, project them as 16mm loops
(Nick Briz similarly manipulated the codecs of various online upload-video hosting sites to create Black Compressed (2009), four minutes and thirty three seconds of solid black video, compressed to moving Richteresque rectangles, a derivation of John Cage’s seminal 4’33’’ from 1952.)
DEADPIXELS (VERY MOVING SHAKY FOOTAGE, THE ONLY STABLE-STATIONARY-FIXED-STILL ELEMENTS ARE DEADPIXELS ON SENSORS - THEY ARE THE PROTAGONISTS - FAILURES OF THE DIGITAL IMAGE STRUCTURE REVEAL THE DIGITAL IMAGE IN ITSLEF - PIXED POINTS-PUNTI FERMI - PUNTO FERMO - HANDHELD CAMERA MOVING AROUND VERY FAST
deadpixels fix videos on yt - abstract flickering animations
Pierrot le fou party scene - loop rmx
rudigler vogler 3 screaming scenes
in
The wrong move
Alice in the cities
Kings of the road (?)
LECTURE - PERFORMANCES?
STAGING IMAGES AND TEXTS OF A RESEARCH IN PROGRESS - GIVE THEM A TEMPORARY FORM/SHAPE - TRANSPOSE THE EDITING PROCESS IN A LIVE SETTING
A WAY TO MAKE MY WORK EXIST OUTSIDE OF MY LAPTOP/STUDIO/HEAD
Remake Douglas Gordon's 24 Hours Psycho (1993) using Gus van Sant's remake (1998) of Alfred Hitchcock's original Psycho (1960).
An excerpt only, the shower scene
SCHERM LCD
American Film Production Companies, 0-9, A-Z