User:Loes van Dorp/Masterclass Piotr Dumala: Difference between revisions

Revision as of 15:35, 10 January 2012

Polish music

First seperately, make it into one.

Life action and Animation.

What is the spirit of cinema?

Editing is the most spiritual thing of my work.

How much music can influance the story

Emotions&abstration of film.

T.V. was a small house of farytail

a window to enter the alternativ world.

The world beyond 18 was impossible to image.

Film Glass-Eye ( David Lynch)

6 or 5 years old and I was scared, although there is no monster, no murder, but the loss of controll is what gives the unsecure feeling.

The force of the film image

inner truth

surprise and espectation

Film and dream, you cannot touch the development of the dream, like film.

Film White Srawberry's ( Bergman, swedish film)

Watched it when I was home alone

How dreams could be reproduced in film

Resamble silence cinema

Horror ( early cinema) were based of bringin alive monsters.Like Nosferatu, Frankenstein.

Melkovich - Nosferatu actor

Laurent & Hardy, Chaplin are Simular to Bergmans films.

I used animation to tell a story ( you write through film)

Animating is like writing, in your own world, very intimate.

Freedom from the hassle from the world.

Scratching in plaster with paint.

It is an illusion.

il Loes ion

Kafka Animation:

In Animation distortion is not important , discontinuity is animation.

Film The forest ( Piotr Dumala)

@@ Line 70: / Line 70: @@
 Laurent & Hardy, Chaplin are  Simular to Bergmans films.
+* Rosemary's baby Music
+* Non verbal narrative
+I used animation to tell a story ( you write through film)
+Animating is like writing, in your own world, very intimate.
+Freedom from the hassle from the world.
+Scratching in plaster with paint.
+It is an illusion.
+il Loes ion
+Kafka Animation:
+In Animation distortion is not important , discontinuity is animation.
+'''Film''' The forest ( Piotr Dumala)