LB2 Graduation 2021 and V2

LB2 Graduates 2021 and V2_

About the collaboration between LB2 graduates of 2021 and V2_.

• The schedule includes two days of build-up and roughly four days of exhibition with a two-hour live-streamed program on each exhibition day for live presentation and performance.

-The whole program can take place using V2_’s streaming and presentation equipment.
-Students are responsible for: the bar and door; any presentation materials related to their individual work; and the design of the promotion materials.
-The curatorial groundwork will be planned by Florian Weigl in conversation with LB alumni and monitoring during the build-up.

V2_ assistants

Space for the names and contact details of two students who will be the liaison between LB2 and V2_.

Yu-Ching I am interested in this, maybe I could help :)

Thy I'm interested in this as well xD

Alumni proposals

• Please add your name, email address and phone number plus a short project description, bio and no more than three images.

Add your personal details here.
Project description
Add your project description here.
Bio
Add the short biographical note here.
Images

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Jelle Havermans

jellehavermans@hotmail.com | +31 621340851

Project description

In this atmospheric short film, a man returns to a gloomy forest in Birmingham, where long ago a mysterious crime was committed. Party photo-roman, partly digital travel report, this short film juxtaposes old forensic photographs with videos shot with a phone of the crime scene as it stands in the current day. A whisper in Hagley Woods reflects on placeness, the apparatus of cinema and on the way ghosts inhabit photographs. It further ambiguously explores the role of the male creator indulging his obsession. He retraces the steps of the murderer as well as the victim… while reminiscing on a past that is shaped through the lens of fictional narratives.

Bio

Jelle Havermans was born in the Netherlands and currently live in Amsterdam. In his current work he reflect on film and it's role in history. Recurring topics are the depiction of violence and (true) crime, cinematic language and the aesthetics of forensic imagery. By mingling fiction with documentary-style investigation, he explores his own obsessions and desires, through the lens of true crime media and horror.

Images Still 1 Still 2 Still 3

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Fileona Dkhar

fileonadkhar@outlook.com | +31 648143488 | +91 7005484460

Project description

of the land: faces, place, traces, earth [Video (color, sound)]
Through voiceover, the narrator attempts to define her identity as image, place, feeling and belonging. Using the POV of the camera, the narrator traces her relationship to the moving image presented, beginning in colonial figurative representation, getting lost in the abstraction of place through maps, finding an abstract sense of shared kinship in feeling, and, finally, the land itself as a marker of her history. If VR headset use is possible, a part of the installation can also be an interactive video: https://vimeo.com/563244503/3d0e7ed7d6

Bio

Fileona Dkhar is a Khasi indigenous artist and researcher. Her current work rearticulates notions of her identity linked to image, place, feeling and personal history. Dkhar expresses her ideas through abstract and generative application of code, performance, filmmaking, writing, and photography.

Images

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Nguyen Ngoc Trang Thy

thy@dcsg.vn| https://www.thytrang.com/ | +31 622 835595

Project description

Grand-Mother-I [Video (color, sound)]
This video is an excerpt of my documentary called Grand-Mother-I

Television reduces the space between the battlefield and people at home. That is why the Vietnam War called the Living Room War. It was the first time Americans see the war with their own eyes, in their own home. Broadcasting images of the war helped to end it, but in Vietnam, the war lives on. In the living room of Thy - the filmmaker, in 1975, the bulletin of numerous women looking for her grandfather after the war ends sparks family disputes that go on for decades, shaping the lives of three generations. The film offers multiple intimate gazes into the Vietnam War, trans-generational traumas and the journey towards peace of the three generations of women (and men) hence the name: Grand-Mother-I.

Bio Nguyen Ngoc Trang Thy is a Vietnamese photographer and filmmaker based in Rotterdam, NL. Thy is the first generation that was born in peacetime in her family and she was sent abroad for Western education since 17, Thy’s works focus on exploring the concept of home, feeling at home and belonging in a globalising world.

By questioning the meaning of ‘place attachment' when the COVID-19 pandemic reaches the Netherlands, her short film FROM HOME TO HOME (2020) weaves together mysterious images that evoke science fiction cinema to convey the experience of ‘homelessness' in the uncanny and silent Netherlands while longing for her motherland. FROM HOME TO HOME was selected to premiere in the London Lift-Off Film Festival 2021.

Thy is currently working on her feature-length documentary called Grand-Mother-I, in which she rediscovery the generational trauma that lingered in her and her family over three generations in the context of the Vietnam Wars, the Renovation time and the Birth of the Internet in Vietnam. Through national archives, family archives, interviews and observational footage, Grand-Mother-I investigate the truth about the director's family history alongside the grand narrative of Vietnam history.

Images

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