Ilinx/Exercises in Ilinx self-definition

Ilinx or the pursuit of vertigo.

emphasis upon masks and states of possession VS order / hierarchy / codification

Nothing is more revealing than vertigo. That strange excitement taht is felt in cutting down the tall prairie and flowers

The destinies of cultures can be read in their game.

States

The real story

Th_e legend[0] he(r)e expressed, has be.en un-/-veild by speciialized top-secret* research(es. [[It is not clear, hoWever, who is the actual lender of this excavations](apparently there seem:s to be multiple sources most of which tend's to volitalize when pozed under scurutiny)]. Has reported from other sources and anti-sources []

Ilinx is a game for nonhuman deities. An hyperstitional machinery which innermost-mechanisms generate randomic assemblages of verbal signifiers that can be researched and studied through their hyperstitional potential re-asserting the truths and dogmas of the common viro-virtual future.

It acts as a temporal device defining the stratum through which temporal wormohles escavate its entangled rizhomes (simon drawings) it allows different multi-parallel cross-temporalities to meltdown in a continuum of cosmical land-space an 'ever-shifting process of abstracting shifting temporal-spatial qualities' A nuclear weapon.

simon's game as the idealization of multi-parallell temporalities

TCHATTUK Stories on tchattuk refer to them always as stealing something from Katak. This theft triggers Katak's journey around the time-cycle. Tchattuk is she-who-steals and what-is-lost, wounding and making Katak what she is.