User:Pedro Sá Couto/Exlibris: Difference between revisions

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==WHY AND WHEREFORE==
==WHY AND WHEREFORE==
In days when a book was a valu- able possession book-plates often carried a warning to the borrower such as the one used by John Hughes, a German of the 17th century, which, translated, read:
 
In days when a book was a valuable possession book-plates often carried a warning to the borrower such as the one used by John Hughes, a German of the 17th century, which, translated, read:


<small>
<small>
"By him who bought me for his own,
"By him who bought me for his own,<br>
I'm lent for reading, leaf by leaf.
I'm lent for reading, leaf by leaf.<br>
If honest you'll return the loan,
If honest you'll return the loan,<br>
If you retain me, you're a thief."
If you retain me, you're a thief."
<small>
</small>
 
Book-plates were used also to record the fact of a gift and the name of the maker of it, especially in the case where the recipient was an institution. The early book-plate of Harvard College was large, most elaborate and exquisitely design.


Book-plates were used also to record the fact of a gift and the name of the maker of it, especially in the case where the recipient was an institu- tion. The early book-plate of Harvard College was large, most elaborate and exquisitely design
M., C., 1916. EX-LIBRIS. Bulletin of the Detroit Museum of Art 10, 8–12.


[[File:exlibris_python.png|300px|]]
[[File:exlibris_python.png|300px|]]

Revision as of 17:09, 6 November 2019

Ex libris

WHY AND WHEREFORE

In days when a book was a valuable possession book-plates often carried a warning to the borrower such as the one used by John Hughes, a German of the 17th century, which, translated, read:

"By him who bought me for his own,
I'm lent for reading, leaf by leaf.
If honest you'll return the loan,
If you retain me, you're a thief."

Book-plates were used also to record the fact of a gift and the name of the maker of it, especially in the case where the recipient was an institution. The early book-plate of Harvard College was large, most elaborate and exquisitely design.

M., C., 1916. EX-LIBRIS. Bulletin of the Detroit Museum of Art 10, 8–12.

Exlibris python.png