User:Pedro Sá Couto/Graduate Research Seminar/Proposal Outline 02: Difference between revisions

Revision as of 09:46, 19 September 2019

What do you want to make?

How do you plan to make it?

What is your timetable?

Why do you want to make it?

Who can help you and how?

Relation to previous practice

Relation to a larger context

References

Nisbet, N., 2004. Resisting Surveillance: Identity and Implantable Microchips. Leonardo 37, 211–214.

In this essay from 2004, Nancy Nisbet addresses how surveillance is being used by centralized databases with the contemporary concerns of personal security and the use of technological developments to solve them. It also introduces us to Radio Frequency Identification technology (RFID) and the potential that comes with it. From tracking individuals to its use as a key in different applications. The installation ‘POP! GOES THE WEASE’ challenges its visitors to take an active part in experimenting RFID and to question on their own identity and free will. The installation also displays the documentation in the form of a video of the process of getting chipped in which the artist had gone through.

Mann, S., 2003. Existential Technology: Wearable Computing Is Not the Real Issue! Leonardo 36, 19–25.

In this essay, Steve Mann focuses on how surveillance and technology that is used to monitor individuals are linked to a chain of power where accountability is often dissolved and hard to be questioned. It is also a documentation of what the author calls as In(ter)ventions within a project that he has developed for the last 30 years, ‘Existential Technology’. It is a set of artworks, inventions, performances, …, where he questions privacy and identity. He uses these experiments to create a different understanding of self-determination and destiny control.

Pater, Ruben., 2016. Politics of design: a not so global manual for visual communication. BIS Publishers, Amsterdam.

This book explores different visual languages of communication and how they are not neutral. It is also able to create in the reader the understanding of how culture is thought in a global context. It contains a wide variety of projects developed by contemporary artists and designers exploring the responsibility of communication that is culturally dependent with a very precise anthropological approach.

McGrath, J.E., 2004. Loving big brother: performance, privacy and surveillance space. Routledge, London ;

Velden, D. van der., Metahaven., Kruk, Vinca., 2015. Black transparency the right to know in the age of mass surveillance. Sternberg Press, Berlin.

@@ Line 17: / Line 17: @@
 '''Nisbet, N., 2004. Resisting Surveillance: Identity and Implantable Microchips. Leonardo 37, 211–214.'''
-In this essay from 2004, Nancy Nisbet addresses how surveillance is being used by centralised databases with the contemporary concerns of personal security and the use of technological developments to solve them.
+In this essay from 2004, Nancy Nisbet addresses how surveillance is being used by centralized databases with the contemporary concerns of personal security and the use of technological developments to solve them.
 It also introduces us to Radio Frequency Identification technology (RFID) and the potential that comes with it. From tracking individuals to its use as a key in different applications.
-The installation ‘POP! GOES THE WEASE’ challenges its visitors to take an active part on experimenting RFID and to question on their own identity and free will. The installation also displays the documentation in the form of video of the process of getting chipped in which the artist had gone through.
+The installation ‘POP! GOES THE WEASE’ challenges its visitors to take an active part in experimenting RFID and to question on their own identity and free will. The installation also displays the documentation in the form of a video of the process of getting chipped in which the artist had gone through.
 '''Mann, S., 2003. Existential Technology: Wearable Computing Is Not the Real Issue! Leonardo 36, 19–25.'''
-In this essay Steve Mann focuses on how surveillance and technology that is used to monitor individuals are linked to a chain of power where accountability is often dissolved and hard to be questioned. It is also a documentation of what the author calls as In(ter)ventions within a project that he has developed for the last 30 years, ‘Existential Technology’. It is a set of artworks, inventions, performances, …, where he questions privacy and identity. He uses these experiments to create a different understanding on self-determination and destiny control.
+In this essay, Steve Mann focuses on how surveillance and technology that is used to monitor individuals are linked to a chain of power where accountability is often dissolved and hard to be questioned. It is also a documentation of what the author calls as In(ter)ventions within a project that he has developed for the last 30 years, ‘Existential Technology’. It is a set of artworks, inventions, performances, …, where he questions privacy and identity. He uses these experiments to create a different understanding of self-determination and destiny control.
 '''Pater, Ruben., 2016. Politics of design: a not so global manual for visual communication. BIS Publishers, Amsterdam.'''
 This book explores different visual languages of communication and how they are not neutral. It is also able to create in the reader the understanding of how culture is thought in a global context. It contains a wide variety of projects developed by contemporary artists and designers exploring the responsibility of communication that is culturally dependent with a very precise anthropological approach.
+McGrath, J.E., 2004. Loving big brother: performance, privacy and surveillance space. Routledge, London ;
+Velden, D. van der., Metahaven., Kruk, Vinca., 2015. Black transparency the right to know in the age of mass surveillance. Sternberg Press, Berlin.