User:Zalán Szakács/reading: Difference between revisions
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*Kluitenberg, Eric, ed. Book of imaginary media. Excavating the dream of the ultimate communication medium. Rotterdam: NAi Publishers, 2006. | *Kluitenberg, Eric, ed. Book of imaginary media. Excavating the dream of the ultimate communication medium. Rotterdam: NAi Publishers, 2006. | ||
*Roberto Casati. Are shadows transparent? An investigation on white, shadows and trans-parency in pictures. Res, 2009, 56, pp.329-335. <ijn 00171296><br> | *Roberto Casati. Are shadows transparent? An investigation on white, shadows and trans-parency in pictures. Res, 2009, 56, pp.329-335. <ijn 00171296><br> | ||
*Tanizaki, Jun'ichirō. In Praise of Shadows. New Haven, Conn: Leete's Island Books, 1977. | *Tanizaki, Jun'ichirō. In Praise of Shadows. New Haven, Conn: Leete's Island Books, 1977 | ||
* Freud, Sigmund, ‘‘Das Unheimliche,’’ in Gesammelte Werke, vol. 12, ed. Anna Freud, Fischer, 1947 | |||
* Grau, Oliver, "Media Art Histories", The MIT Press, 2010 | |||
* Castle, Terry, "Phastasmagoria: Spectral Technology and the Metaphorics of Modern Reverie", The University of Chicago Press, 1988 | |||
* Leeder, Murray, "The Modern Supernatural and the Beginnings of Cinema", Palgrave Macmillan UK, 2017 | |||
* Hecht, Hermann, “The History of Projecting Phantoms, Ghosts and Apparitions”, Magic Lantern Society, 1984 | |||
* Ruffles, Tom, "Ghost Images: Cinema of the Afterlife", McFarland & Company, Inc., Publishers, 2004 | |||
* Vermeir, Koen, "The magic of the magic lantern (1660–1700): on analogical demonstration and the visualisation of the invisible", The British Journal for the History of Science, 2005 | |||
* Mannoni, Laurent, "The Great Art Of Light And Shadow - Archaeology of the Cinema", University Of Exeter Press, 2000 | |||
* Zielinski, Siegfried, "Deep Time of the Media - Toward an Archaeology of Hearing and Seeing by Technical Means", MIT Press, 2006 | |||
Latest revision as of 21:39, 9 December 2018
- Mannoni, Laurent, "The Great Art of Light and Shadow - Archaeology of the Cinema", University of Exeter Press, 2000
- Grau, Oliver, "Media Art Histories", The MIT Press, 2010
- Steps to an Ecology of Communication: Radical Software, Dan Graham, and the Legacy of Gregory Bateson; William Kaizen: Art Journal, Vol. 67, No. 3 (FALL 2008)
- Joost Rekveld 2007, Mental Spaces, viewed 15 October 2018, <http://www.joostrekveld.net/wp/?page_id=590>
- Kluitenberg, Eric, ed. Book of imaginary media. Excavating the dream of the ultimate communication medium. Rotterdam: NAi Publishers, 2006.
- Roberto Casati. Are shadows transparent? An investigation on white, shadows and trans-parency in pictures. Res, 2009, 56, pp.329-335. <ijn 00171296>
- Tanizaki, Jun'ichirō. In Praise of Shadows. New Haven, Conn: Leete's Island Books, 1977
- Freud, Sigmund, ‘‘Das Unheimliche,’’ in Gesammelte Werke, vol. 12, ed. Anna Freud, Fischer, 1947
- Grau, Oliver, "Media Art Histories", The MIT Press, 2010
- Castle, Terry, "Phastasmagoria: Spectral Technology and the Metaphorics of Modern Reverie", The University of Chicago Press, 1988
- Leeder, Murray, "The Modern Supernatural and the Beginnings of Cinema", Palgrave Macmillan UK, 2017
- Hecht, Hermann, “The History of Projecting Phantoms, Ghosts and Apparitions”, Magic Lantern Society, 1984
- Ruffles, Tom, "Ghost Images: Cinema of the Afterlife", McFarland & Company, Inc., Publishers, 2004
- Vermeir, Koen, "The magic of the magic lantern (1660–1700): on analogical demonstration and the visualisation of the invisible", The British Journal for the History of Science, 2005
- Mannoni, Laurent, "The Great Art Of Light And Shadow - Archaeology of the Cinema", University Of Exeter Press, 2000
- Zielinski, Siegfried, "Deep Time of the Media - Toward an Archaeology of Hearing and Seeing by Technical Means", MIT Press, 2006