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=== 19-11-2018 Javi ===
=== 19-11-2018 Javi ===
* The materiality of film : Rosa Barba  
* The materiality of film : Peter Kudelka & Rosa Barba  
* Defining the place of the body in the process
* Defining the place of the body in the process
* The fragmentation : Jan Dibbets & Peter Kubelka
* The fragmentation : Jan Dibbets & Paul Sharits
* Manual speed variation & the control on outcomes = narrative
* Manual speed variation as a "control" on results = narrative or intentionality

Revision as of 15:26, 19 November 2018

08-10-2018 Ine

  • My sociological and anthropological concerns - what role in my work
  • Focus on focal camera experimentation of continuous recording
  • REF: British artist Gillian Wearing and her statement on anthropology and documentary


09-10-2018 Barend

  • Continue working on focal camera and start with medium format : cutting the film, scanning the film, reconstruction of the long image digitally.
  • What processes is my work related to: Slit Scan, what are the differences
  • My references to impressionism (Monet) and sociology (Zygmunt Bauman, Liquid Modernity). Liquidity, Fluidity, Fixity. How do this relate to my research on Identity?
  • REF: Gerhard Richter (Painting over photograph?) and Adam Magyar (Slit-scan)


29-10-2018 David

  • Continue working on continuous recording project with a focus on the gesture
  • Gesture of re-winding, analyse and precise the gesture and the possible links with time
  • Start building a more specific vocabulary, avoid speaking in too abstract or general terms
  • The importance of the choice in the gesture, dialectic of choice-process. Gesture & Techniques
  • What subjects are more suitable for the process
  • The poetic and philosophical aspect of my research: the construction of the self, the representation of the self, the concept of time (re-winding) in the work or maybe a more theoretical research on what is photography / photographic?

30-10-2018 Barend

  • Take a break with continuous recording project. Shifting to moving image.
  • How can I transfer the work to moving image. Is my work not already a moving image? What is the border between fix and moving image - the shift from photography to cinema (Marker, C. (1962) La Jetée)
  • Start writing scenes or images that come in my mind.
  • 16mm film introduction at Worm. My focal camera is a simple version of a movie camera, with no shutter and medium film format.
  • REF: Michel van Bakel (Forest Paths IFFR (2019), The Dutch Mountain (2015) & Equestrian (2003))

19-11-2018 Javi

  • The materiality of film : Peter Kudelka & Rosa Barba
  • Defining the place of the body in the process
  • The fragmentation : Jan Dibbets & Paul Sharits
  • Manual speed variation as a "control" on results = narrative or intentionality