User:Angeliki/Interfacing the Law/ research: Difference between revisions
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==== '' Collaborative Narrative'' by Scott Rettberg ==== | ==== '' Collaborative Narrative'' by Scott Rettberg ==== | ||
In this text Rettberg refers to the forms that a collaborative narrative can take, focusing on the participation of the authors. The file-sharing applications are the base of this simultaneous electronic way of writing, like Skype and email. He separates the participation into three types; conscious, contributory and unwitting. He elaborates more on this argument by giving examples of hypertext projects. In the context of social writing in a network based environment, hypertexts can have different structures beyond the conventional linear narratives. Then the contribution of more than two authors is unavoidable leading to a larger scale of collective writing, like the attempt of making a novel in the Wiki platform. Rettberg describes that by bringing the term 'architecture of participation'. And so the performative action of making a collective novel online becomes more important than the content of the document. | |||
=== '''Bibliography''' === | === '''Bibliography''' === |
Revision as of 09:18, 6 May 2018
Provisional research
Topics
- hypertext and feminism
- embodiment and hypertext
- personal collections/ individual sequences/ individual identities/ Tash's anonymity?
- “traces” in pirate libraries
- collective reading- and public space/ links of Alex?
- intellect augmentation
- back doors, black holes in pirate libraries and hypertext
Secondary topics:
piracy, hacking, media activism
Abstracts
Women Writers and the Restive Text: Feminism, Experimental Writing and Hypertext by Barbara Page
In this text Page refers to the strong connection of hypertext and feminism, focusing on the unconventional writing of several female authors. The hypertextual way of writing provides a freedom and space for collaborative compositions and alternative interpretations of the text. This practice radicalise the narrow and patriarchal form of writing by being 'nonlinear, nonhierarchical, and decentering', and even fragmented. She gives an additional meaning to the term by referring to electronic writing, which is inclusive and 'interweaves' the media between them.
You say you want a revolution? Hypertext and the Laws of Media by Stuart Moulthrop
hypertext in computing systems. users access, involvement in the process he refers to the project XANADU: linking and retrieval system hypertext- social change/ he talks about the political aspect of such a system the personal computers arrived and this idea was almost lost
Nonlinear Writing by Astrid Ensslin
Collaborative Narrative by Scott Rettberg
In this text Rettberg refers to the forms that a collaborative narrative can take, focusing on the participation of the authors. The file-sharing applications are the base of this simultaneous electronic way of writing, like Skype and email. He separates the participation into three types; conscious, contributory and unwitting. He elaborates more on this argument by giving examples of hypertext projects. In the context of social writing in a network based environment, hypertexts can have different structures beyond the conventional linear narratives. Then the contribution of more than two authors is unavoidable leading to a larger scale of collective writing, like the attempt of making a novel in the Wiki platform. Rettberg describes that by bringing the term 'architecture of participation'. And so the performative action of making a collective novel online becomes more important than the content of the document.
Bibliography
- Cha, T.H.K., 2009. Dictee, Second edition. ed. University of California Press, Berkeley, Calif.
- Clark, “Hypertext as Feminist Pedagogy” [WWW Document], n.d. URL http://kairos.technorhetoric.net/6.2/coverweb/gender/clark/ (accessed 4.25.18).
- Furter, L., 2015. Online Reading Group [WWW Document]. http://url.net/. URL http://lorainefurter.net/shared-library/ (accessed 2.11.18).
- Galloway, A.R., 2004. Protocol: How Control Exists after Decentralization. MIT Press, Cambridge, Mass.
- Holl, U. (Ed.), 2017. Cybernetics, in: Cinema, Trance and Cybernetics. Amsterdam University Press, pp. 33–38.
- Joyce, M., 1999. Afternoon: A Story, Mac/Win edition. ed. Eastgate Systems Inc.
- Krikorian, G., Kapczynski, A. (Eds.), 2010. Beyond Representation: The figure of the pirate, in: Access to Knowledge in the Age of Intellectual Property. Zone Books, New York.
- Maso, C., Maso, C., 2002. AVA, Revised edition. ed. Dalkey Archive Press.
- Michielon, V., n.d. TKB Project. Novel intersections between language, performance and Digital Media| Digital Art, Design and Culture [WWW Document]. Digicult | Digital Art, Design and Culture. URL http://digicult.it/news/tkb-project-novel-intersections-between-language-performance-and-digital-media/ (accessed 4.25.18).
- Orwant, J., 2003. Games, Diversions & Perl Culture: Best of the Perl Journal, 1 edition. ed. O’Reilly Media.
- Page, B., 1996. Women Writers and the Restive Text: Feminism, Experimental Writing and Hypertext. Postmodern Culture 6. https://doi.org/10.1353/pmc.1996.0002
- Pignatti, L., n.d. Erkki Kurenniemi: The Archival Fever in Creative Practice [WWW Document]. Digicult | Digital Art, Design and Culture. URL http://digicult.it/news/erkki-kurenniemi-the-archival-fever-in-creative-practice/ (accessed 4.25.18).
- sullivan.pdf, n.d.
- Talks/Poetics of Research - Monoskop [WWW Document], n.d. URL https://monoskop.org/Talks/Poetics_of_Research (accessed 4.17.18).
- Towards a Loosening of Categories: Multi-Mimesis, Feminism, and Hypertext | Electronic Book Review [WWW Document], n.d. URL http://www.electronicbookreview.com/thread/writingpostfeminism/appropriated (accessed 4.25.18).
- Wardrip-fruin, N., 2003a. The New Media Reader, Har/Cdr edition. ed. MIT Press, Cambridge, Mass.
- Wardrip-fruin, N., 2003b. Augmenting Human Intellect, in: The New Media Reader. MIT Press, Cambridge, Mass, pp. 95–108.
- Wardrip-fruin, N., 2003c. From Computer Lib/ Dream Machines, in: The New Media Reader. MIT Press, Cambridge, Mass, pp. 301–338.
- Wardrip-fruin, N., 2003d. The World-Wide Web, in: The New Media Reader. MIT Press, Cambridge, Mass, pp. 792–798.
- Wardrip-fruin, N., 2003e. You say you want a revolution? Hypertext and the Laws of Media, in: The New Media Reader. MIT Press, Cambridge, Mass, pp. 692–704.
- Τέχνη και Παγκοσμιοποίηση, n.d.
- ΤΟ ΔΟΓΜΑ ΤΟΥ ΣΟΚ, n.d.
- Astrid Ensslin, 2014. Nonlinear Writing, in: Ryan, M.-L., Emerson, L., Robertson, B.J. (Eds.), The Johns Hopkins Guide to Digital Media. Johns Hopkins University Press, Baltimore, pp. 360–362.
- Scott Rettberg, 2014. Collaborative Narrative, in: Ryan, M.-L., Emerson, L., Robertson, B.J. (Eds.), The Johns Hopkins Guide to Digital Media. Johns Hopkins University Press, Baltimore, pp. 78–80
- Nicolas Maigret, Maria Roszkowska (Eds.), n.d. The Pirate Book. Aksioma, Ljubljana.